2F/2F
Member
Hello,
I am having some serious trouble getting lots of grain when cross processing. The best I can get IS grainy, but not as much as I am looking for. I am taking Provia 400X and overexposing it up to four stops in 35mm format (rate at 100, and then often give it even more exposure manually). I am still not getting enough grain in 16x20 RA prints. What I want is basically a color version of the grain I can get from battered HP5 or Delta 1000. The color of Provia abused this way is amazing! The contrast is exactly what I am looking for. Sensia 400 does not respond the same way color wise. It is more saturated, and it does not have the same beautiful and subtle effect on color as Provia, and it is not all that much grainier.
My inclination is to go the other way with a fast press film like Superia 800 and 1600. The problem is that I really need to be able to make RA prints for what I want to do. This means scanning and a film recorder, I guess...a lot more processing than I would like to do, added expense, and the turnaround time would nix it for lots of things, like school projects.
Is there a way to cross C-41 to E-6 without reversing the film?? That might be perfect...though I have no idea if I will get the same great muted pastels and browns that I get from Provia 400X.
Any chemical processes that could jack up the grain in a C-41 process without significantly changing color or contrast?
A grain screen made from a Delta 1000 neg?? I've never tried it. Does anyone have an example of such a technique that they could show me? This may be just the ticket if I like the way it looks.
Thank you in advance.
P.S. Provia 400X is a truly awesome film, as were its predecessors that I used.
I am having some serious trouble getting lots of grain when cross processing. The best I can get IS grainy, but not as much as I am looking for. I am taking Provia 400X and overexposing it up to four stops in 35mm format (rate at 100, and then often give it even more exposure manually). I am still not getting enough grain in 16x20 RA prints. What I want is basically a color version of the grain I can get from battered HP5 or Delta 1000. The color of Provia abused this way is amazing! The contrast is exactly what I am looking for. Sensia 400 does not respond the same way color wise. It is more saturated, and it does not have the same beautiful and subtle effect on color as Provia, and it is not all that much grainier.
My inclination is to go the other way with a fast press film like Superia 800 and 1600. The problem is that I really need to be able to make RA prints for what I want to do. This means scanning and a film recorder, I guess...a lot more processing than I would like to do, added expense, and the turnaround time would nix it for lots of things, like school projects.
Is there a way to cross C-41 to E-6 without reversing the film?? That might be perfect...though I have no idea if I will get the same great muted pastels and browns that I get from Provia 400X.
Any chemical processes that could jack up the grain in a C-41 process without significantly changing color or contrast?
A grain screen made from a Delta 1000 neg?? I've never tried it. Does anyone have an example of such a technique that they could show me? This may be just the ticket if I like the way it looks.
Thank you in advance.
P.S. Provia 400X is a truly awesome film, as were its predecessors that I used.
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