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Film. No Compromise.

The Chicken

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True but...

I find it interesting that some people keep breaking out the "it's just a tool" strawman argument. Last time I checked our eyes don't clip highlights when the scene is too bright.

It's not just about resolution. When will people get that through their heads?

Film has a much better dynamic range than a CCD chip. However, our eyes has a much wider range than both film and CCD chips. So artist using film or DV cameras must know the dynamic range of the media being used. People that shoot DV has to work harder to keep highlights from blowing out which is much more work. Yes it's just a tool, but artist and technicians must know the limitations of the tool and work with them. Above all, don't let the technique get in the way of the artistry.
 
Film has a much better dynamic range than a CCD chip. However, our eyes has a much wider range than both film and CCD chips. So artist using film or DV cameras must know the dynamic range of the media being used. People that shoot DV has to work harder to keep highlights from blowing out which is much more work. Yes it's just a tool, but artist and technicians must know the limitations of the tool and work with them. Above all, don't let the technique get in the way of the artistry.

One problem - film is part of the technique. Non linear response of the medium and how that affects the final output. All part of it.
 
I dont want to be offensive, but your post comes across as offensive,
That's your opinion.

it is an opinion,
That's right.

an incorrect opinion,
That's your opinion.

it is biased and elitist and shows everything wrong in an attitude a film user could have.
He said he tried digital, committing time and money to it, but went back to film. He expressed an opinion based on that experience. How is that biased and elitist?

I shoot film and digital, I dont feel neither is a waste of time or money
Good. But for him it was.

"DigiSnapper" please don't make up terms to degrade someone else's medium.
He didn't make it up. It's a fairly common term. In context, he's referring to the camera, not the medium.

"Doesn't provide the true essence of photography" this is rubbish I'm afraid to say.
It's like saying Paint X or Brush A doesn't provide the true essence of painting like Paint Y or Brush B, it's just rubbish.
That's your opinion. What he said was his opinion. My opinion is that you're not understanding what he's really saying.

Photography occurs before equipment and medium,
I don't know how it occurs before equipment and medium. Without them it doesn't exist.
Do you perhaps mean it transcends?

dismissing it like that is both wrong and elitist.
He tried it, didn't like it. Having tried it, dismissing it in an opinion based on his experience is his prerogative.

A print (inkjet, dyesub, optical wetprint or laser wetprint) or image on a screen are not photographs, they are reproductions of photographs.
So a print we see on a gallery wall is not a photograph, but the negative we never see is?

Film, printing (whatever type), and scanning, digital display, are all reproduction methods.
Film? You mean it reproduces what comes through the lens? I'd call it a method of recording rather than reproduction.

I can shoot photographs without film, paper or digital. As an image in my mind may also be a reproduction of a photograph, that I saw with the lenses in my head and captured on my retinae, and I can recall that for later viewing, which is a reproduction - I just can't create a good reprodution for anyone else's viewing.
I think that falls outside the usual meaning of the word "photograph".

All photography is equal,
I suppose you are referring to equipment and media. Some people produce work which strongly blurs the line between photography and some other form of art, throwing into question whether it even is photography.

there is no segregation of pure photography between film, digital or otherwise, referring to film photography or digital photography is a reference to the equipment and workflow someone has chosen in order to reproduce their conception.
OK. But remember this is APUG, where most have chosen to use film instead of digital because of what film offers that digital doesn't. The statements should be viewed in that context.

Implying or saying that the equipment, process and methodologies of one photographer is somehow less photography than another (or that it does not provide the true essence of photography) is totally invalid, the very idea is not even worth entertaining.
I think he was speaking for himself, not in an absolute sense. He went digital, became unhappy with it, switched back. Calling film the "pure essence" of photography doesn't mean that all other forms are totally invalid. He's a 4x5 user: he could have said the same thing about large format and I, a user of 35mm and medium format, would not have been bothered by it. I know what he means.

As I said before, all photography is equal, it is all created in exactly the same way with no differences.
And if we could just figure out what that same way is, a lot of discussion could be avoided!
Really, your statement needs to be qualified somehow to make its meaning clear. If you mean that light hits a light-sensitive medium and is then processed into a record of it, well, OK, everybody knows that. Beyond that I cannot see how your statement is valid.

The amount of work gone into it, and value of the art, journalism or purpose may greatly differ, but this is not the point at all.
I agree there.

The various types of luminscence, incandescence, and reflectance and translucency of objects remain identical for users of film or digital equipment, as does electromagnetic radiation. Physical law doesn't suddenly [change] for anybody's preference.
I think that's well understood by most people, certainly the majority of those here.
But how those things are recorded by the medium is different. Setting aside digital, how many different kinds of film exist? None gives a result identical to another.

A photograph is conceived (a conceived drawing/image of light), therefore it is a concept. Not a print, not an image on screen, not a strip of negatives, nor a memory card.
Is that what you meant by "occurs before"? Just one problem. A photograph is not a concept. It is an expression of a concept. If you have a concept but never do anything with it, no photograph results.
The one on my driver's license is an expression of the concept that my ID should have a picture of me on it. But they never said, "Step over to window A so we can get a concept of you".

Equipment cannot alter the essence of your conception.
But it can alter the ability to express it. I've never been able to take decent macro with an Instamatic. View cameras are not prevalent at sports events. Wall size murals are seldom made from a Minox.
 
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It's like saying Paint X or Brush A doesn't provide the true essence of painting like Paint Y or Brush B, it's just rubbish.


Well, no. A fair comparison would be more like Paint / brush / canvas AS OPPOSED TO stylus / drawing pad / software-computer / printer.
 
That constantly moving camera made me barf my morning eggs...
Yeah. I was annoying. Too bad people have to inject "style" into everything.:rolleyes:
 
What about the dynamic range of the viewing medium?

What is the dynamic range of a print? Of a viewing screen?

Here is quote from Wikipedia:

Title: "Dynamic range"

"The most severe dynamic-range limitation in photography may not involve encoding (using film and/or digital capture, added by Bill C.), but rather reproduction to, say, a paper print or computer screen. In that case, not only HDR encoding, but also dynamic range adjustment can be effective in revealing detail throughout light and dark areas: The principle is the same as that of dodging and burning (using different lengths of exposures in different areas when making a photographic print) in the chemical darkroom. The principle is also similar to gain riding or automatic level control in audio work, which serves to keep a signal audible in a noisy listening environment and to avoid peak levels which overload the reproducing equipment, or which are unnaturally or uncomfortably loud."

Here is a link to the article:

http://en.wikipedia.org/wiki/Dynamic_range

At any rate, an interesting discussion!
 
His reference to "gain riding" isn't really the same. In the audio realm we use something called a compressor. It's to sound as film is to light. Non-linear, tonal compression as a means of fitting in more range than the playback or repro medium is capable of storing. Film inherently does this with light by saturating into the shoulder and reducing tonal separation as a means of storing more stops than otherwise possible linearly. THAT is why film is a big deal.

The brain works out the rest.

Analog rules.
 
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Amazingly, we can view 75 year old motion pictures made on film with a minimum of low cost equipment. An inventive soul could even build his own projector.

Imagine trying to play an 'avi' or 'mpg' file 75 years from now. Not to mention there won't be any equipment that can connect to the storage device.

And we thought the Egyptian hieroglyphics were hard to interpret.
 
I dont want to be offensive, but your post comes across as offensive, it is an opinion, an incorrect opinion, it is biased and elitist and shows everything wrong in an attitude a film user could have.


My Dearest Athiril,

Words on a website will never offend me.
And My Opinion, was posted on APUG.
Not DPUG, Digital Photography Users Group, that would be very offensive.
And I am assuming that the we are all Members Of APUG, because we either
appreciate film, or maybe the majority of us can not afford 15 megapixel Digital Devices, and all the necessary accoutrements.

I "watched" the video of Mr. Sam Bayer, expressing his opinion.
I have no idea who he is, and what he has accomplished,
but I felt his Enthusiasm, and Passion for Film !
The man is doing something that he enjoys. That's an accomplishment.
I felt what he was saying, I was not paying attention to the visual image.
If I had "watched" the video, I would not have felt his Enthusiasm

I Expressed My Opinion On APUG, With Enthusiasm.
An Intelligent Person Would Not Be Offended By My Words.
But, would be happy that I was enthusiastic enough to express my opinion.


Ron

From The Long Island Of New York, and the
Long Island @ Large Format Group, right here on APUG
.
 
I watched three of those videos, the ones from Sam, Bill and Joaquin. And I thought they were all about digital not film. That is to say, to me, they all spoke of film in relation to digital - what digital isn't, film is and what film is, digital isn't. Sam was the most passionate but even he seemed to speak of film as contra-digital and in that regard I thought all three were defensive and reactionary. I think that film deserves to stand on its own merits and be judged for what it is, not what it isn't. People seem to have a desire to pitch things against other things, to create 'us and them' or 'this or that' scenarios and I saw much of that in these clips.
 
I agree. I don't shoot film because it's not digital...digital isn't even on my table. Similarly, I don't shoot black and white because it's not color. I don't consider black-and-white in relation to color. To me, it's not 'non-color', it just is what it is. I would like it if we could see pro-film videos that don't mention digital at all. Because it's not necessary to bring up digital to talk about film and analog photography...analog does not exist in digital's shadow or purely in relation to digital, which didn't even exist for 75+ years or so of film's history. I wish we could go back to that history and just shoot film.
 
To me, I think these sorts of videos are like political parties that have just been voted out of power. They spend their time telling the electorate why the opposition is bad rather than telling them why they should vote for them. If film's strong points can only be expressed in relation to digital, then, logically, to remove digital means film has no strong points. But that demonstratively isn't the case, the majority of photo masterpieces were shot on film and their value has no relation to digital as digital didn't exist then. I think the very best attempts at film evangelism are where a particular film is spoken of without any mention of other mediums. And I think that's why I enjoy reading 2F/2F's posts where he describes the attributes of a given film. I think this sort of thing is much more beneficial than pitching film against digital.
 
I completely agree with you

One problem - film is part of the technique. Non linear response of the medium and how that affects the final output. All part of it.

Film is a tool which requires technique to use it. Again, I use both. With analog photography, you have a greater range of film and chemicals. With photographer choosing the film and how he processing the film, the analog image takes on a personality. There's where digital photography comes up short. Sure there are post production techniques for digital, but it's very predictable and there no element of chance. I noticed that as digital photography "advances", there's a greater interest in old processes like collodion. As with cinematography, the film maker can have the film process altered. Video and digital cinematography looks so cold that there a company Filmlook to do emulate the look of film. Here's their link:

http://www.filmlook.com/

Us APUGers probably not want to have a film lab to have our film processed to have a "Digital Look". It's like taking a fine meal made by Thomas Keller of French Laundry and serving it on a paper plate :D
 
The video is embarrassing.

How many times can a person mention 'film' and still breathe? I would expect if I show this vid to a 'prospect' it would not result in a compelling reason to shoot film. It just sounds like Kodak made him say the word every 5 seconds.

Yes, if you look very closely you can catch a glimpse of the blue-steel revolver that Kodak is holding to the back of Sam Bayer's head. :tongue:
 
"DigiSnapper" please don't make up terms to degrade someone else's medium.

"DigiSnapper" is a technical term for a non-technical user of a "digi-thingie".

Steve
 
"DigiSnapper" is a technical term for a non-technical user of a "digi-thingie".

Steve

You are correct, sir. It is sometimes used in the colloquial to mean the camera, but that is a non-technical application.
 
Does anyone remember the "FilmSnapper" also called the "Kodak Disk"? I remember the advert catch line. "I'm gonna git ya with my Kodak Disk"? You got back from Kodak a disk about the size of a modern day CD with all the negatives or slides I don't remember which mounted on it like a slide mount.
JOHN
 
I do use a digital device in my photographic pursuits when necessary.

When someone rags on me for using film, I use a middle digit, upraised.
 
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I do use a digital device in my photographic pursuits when necessary.

When someone rags on me for using film, I use a middle digit, upraised.

Well done.

ROTFLMAO!!!

Steve
 
The reason these guys in the video are operating from a stance of defense is for the same exact reason everyone else on this site is tired of having to "defend" their choice in film. Come on guys, it's damn well apparent that people think "digital == newer, therefore better" and these guys will be asked about HD etc.

As professional and accomplished DOPs they're tired of hearing it - they KNOW why they use a medium and they're talking about it.

Seriously, Kodak puts some videos up supporting film and the like and people are finding fault with it. Kodak doesn't do it other places and they're faulted for not advertising film *enough*. What do you want?
 
I think there beeen budget cuts at the koddak companny.

I love film, I cheat on my wife and stay up late with it, I sleep with film, eat, play, and work with film. I've even been known to have passed up chocolate for it.

I'm a man, I can change, if I have to, I guess.
 
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