The pilot coater at Film Ferrania is much bigger in comparison: Small production runs are possible. This machine was used in the past not only for research and testing, but also for market tests, when limited runs were given to selected photographers to test films under daily shooting conditions.
I heard about that quite a bit. So just for the passion and making up the losses thanks to the diversification.Read Fujifilm's financials. Go back 10 years. Every year, Fujfilm has LOST money on their digital cameras. Every. Year.
Thom Hogan wrote a column recently about Fuji saying something like, Fujifilm could flush their entire digital camera division down the drain and INCREASE their profits.
True words.
Indeed some labs are covering the space that others left and giving the capacity. That is very good.in the major markets we have enough E6 developing capacity at labs. And the clever labs extend their services, especially their mail-order offerings.
E.g. in Spain the very trendy and marketing active "Carmencita Film Lab" just recently added E6 service to their C41 and BW film development.
And , by the way, one of the initiators of the new Film Ferrania, Marco Pagni, is running a cine film lab in Italy. Maybe he will extend the services of his lab.
IIRC Inoviscoat was that. They are the newest company with the newest film coater around. As far I know the company built its new coater and some of its know-how comes from Agfa.If suitable residual markets for film could hypothetically be demonstrated, what sort of costs would be involved in creating new right-sized coating machines similar to what you describe above, but purpose-built instead of repurposed? Not that I expect anyone to do it. I'm just curious about the hypothetical costs involved.
The big boys were enormously expensive, both to create and to maintain. No one will ever do that again. But are the little guys also undoable ever again? Meaning, are we now stuck with only the final existing collection of old repurposed R&D machines, and headed eventually for an Efke-style end game where things just wear down and break for good?
Or alternatively, maybe a future where film companies outsource all of their coating to third-party dedicated coating companies, whose machines also service many coating-related industries other than film?
Ken
I heard about that quite a bit. So just for the passion and making up the losses thanks to the diversification.
Hope still film is doing well and they keep going on (despite small benefit) just because they are the single manufacturer on the market (E6) and keeping options alive.
Indeed some labs are covering the space that others left and giving the capacity. That is very good.
IIRC Inoviscoat was that. They are the newest company with the newest film coater around. As far I know the company built its new coater and some of its know-how comes from Agfa.
Infact, they seemingly make under contract several materials: Impossible (Neg material), Adox (film and paper), Lomo (Lomochrome).
I am recalling what I remember reading around here, perhaps some German members can elaborate further on it.
And as of Kodak (Alaris), Harrow did coat film a few years ago and nowadays it only makes Paper. That plant could be repurposed again for making film now and then. But it is possible that it's quite a big facility as well, and wouldn't be quite right sized for still film.
Fuji we know little about...
OT but in this kind of discussion PE's hindsights and experience are invaluable.
You missed the fifth one -- a business case suggesting it would be profitable to do so even if those first four were readily available....To restart apart from a refurbish you would need
IPR
process documentation
staff
money
They may be missing all four...
You missed the fifth one -- a business case suggesting it would be profitable to do so even if those first four were readily available.
Well, that was sort of the thrust of my question. Assume for a moment the business case existed, along with the other three requirements. Then what kind of money are we talking? I recall that Harman has stated in the past a ballpark figure of GBP300,000 to create a brand new 220 finishing machine (machines?) and that it was undoable for them by ROI constraints.
I wouldn't expect a right-sized mini-coating line to be anywhere near that inexpensive. And even less justifiable. But what might it be? Ballpark?
I realize the fellow, in Oz I believe, was building a prototype from plywood in his garage. But I was thinking something a little more... umm... industrially substantial? You know, something you wouldn't be ashamed to show your mother when she came to visit...
Ken
You missed the fifth one -- a business case suggesting it would be profitable to do so even if those first four were readily available.
And the thrust of my post was an implied "such a business case doesn't exist."Well, that was sort of the thrust of my question. Assume for a moment the business case existed...
Did Kodak ever grind their own lenses for their science and military applications?
.
Fujifilm was NOT smart, or at least, not smart as you suggest. Fujifilm is a success today because they moved heaven and earth to get away from photographic businesses. If you look at Fujifilm's numbers, they are a total failure at selling digital cameras. Their revenue from digital cameras is a measly 3-4% of their total sales. Had Fujifilm bet the farm on their digital cameras, they would have ended up bankrupt and failed just like Kodak.
Read Fujifilm's financials. Go back 10 years. Every year, Fujfilm has LOST money on their digital cameras. Every. Year.
Thom Hogan wrote a column recently about Fuji saying something like, Fujifilm could flush their entire digital camera division down the drain and INCREASE their profits.
True words.
Interesting what you say about their digital cameras, as they seem to be farily highly regarded here in New Zealand.
Not that they sell to the professional market, im just talking about entry level consumer cameras, something you would compare to a canon or sony compact, etc.
Now if Fuji indeed have had poor failure with their digital cameras, no wonder Kodak's were an utter failure, because they were total crap.
Interesting what you say about their digital cameras, as they seem to be farily highly regarded here in New Zealand.
[h=2]Can I test film for you?[/h]
Everybody loves free film! When the time is right, we will publish something here on our website outlining our policies for testing and any other promotional uses
Whatever makes tech fanbois cream their pants (even I would, a year or two ago, have been one of them), somehow does not translate into sales...
Back to Ferrania:
On the FAQ page.
Absolutely spot on there. Fujifilm's technology is routinely steamrollered by Canon and Nikon. Even in Japan, Fuji's best market, they dont even have 2% market share with digital cameras. That's an abysmal showing by any standard.
I need to order some Orwo tomorrow, and buy some Kentmere bulk.
And I'll be ordering some Kentmere 400 at the end of the month.
Reading all of this since I last looked in on it was rather tiring as a first effort on APUG.
However;
Kodak made some of the best glass lenses ever produced in the world. No one but the US govt. could afford them though!
Kodak has several film and paper pilot machines which could be upgraded with minimal work to produce fine quality materials. The film pilot machines range from 21" down to 4.5", and yes, I know that they are in bad shape or even partly / mostly gone, but they did exist and can be refitted if the money was there. With paper, 11" is the widest that can be produced.
My guess is that only a 4.5" machine would be sustainable and it would have to be upgraded.
My information may be out of date.
PE
While 8x10 would be nice (and can be cut down easily to 5x8 and with only slightly more difficulty to 5x7 if needed) film up to 4x5 would certainly be far better than nothing.
Paper no wider than 11" is a bigger limitation but, again, far better than nothing.
Is the Kentmere film any good? I don't use much 35mm at the moment so haven't investigated the line.
Tom
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