hoffy
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Fp4, from my experience is more forgiving.
I use it in ID-11 and mix it 1:3. Gives me a time around 16 min. but your mileage may vary.
Happy with it overall.
-Rob Skeoch
You guys are crazy, I try to stay under 10 minutes with any developer, I'm super lazy...
Probably the other reason I like Pan F+ and Ilfsol 3 since its like 4 minutes for the 1+9 mix. So nice!
~Stone
The Noteworthy Ones - Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1 / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic
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Not really; the 1 minute agitation times actually work out pretty well. It gives me enough time to run around the house and get other little jobs done while it's developing. I actually make it a rather productive time. Since I develop film in my kitchen and not tucked away in a darkroom, in between agitations I get the dishwasher loaded, countertops cleaned, maybe get a load of laundry going, etc. I actually don't mind it as much as, say, TX400 in D-76. Even though it's 1/2 the amount of development time, the 30 second agitations don't really give me any time to turn my back and get anything else done.
Having said that, my primary B&W is TX400 in D-76, which I actually find rather laborious to develop as it requires pretty much constant attention. That and I find the 120 size MUCH more annoying to spool than Ilford films. Oh but that classic Kodak look.... makes it all worth it!
Not really; the 1 minute agitation times actually work out pretty well. It gives me enough time to run around the house and get other little jobs done while it's developing. I actually make it a rather productive time. Since I develop film in my kitchen and not tucked away in a darkroom, in between agitations I get the dishwasher loaded, countertops cleaned, maybe get a load of laundry going, etc. I actually don't mind it as much as, say, TX400 in D-76. Even though it's 1/2 the amount of development time, the 30 second agitations don't really give me any time to turn my back and get anything else done.
Having said that, my primary B&W is TX400 in D-76, which I actually find rather laborious to develop as it requires pretty much constant attention. That and I find the 120 size MUCH more annoying to spool than Ilford films. Oh but that classic Kodak look.... makes it all worth it!
I've been using Pyrocat HD with Delta 100 and 400 for the past 5 years with superb results.
Ian
First, with all that chemical on your hands / counter / etc, you shouldn't be doing dishes or doing laundry or as the next poster said making coffee... That's just too chemically risky to me.
I don't get the 120 to ilford comment... All of my ilford is 120....
Do you use plastic or SS reels? If you use plastic, don't use the Patterson spools they are terrible, use JOBO spools, ironically I like the Patterson tanks much better and find the JOBO tanks leaky and lame, but the opposite with the spool/reels. They have an extra tongue sticking out that makes them super easy to load.
~Stone
The Noteworthy Ones - Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1 / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic
Sent from my iPhone using Tapatalk
I think you are way, way, way too paranoid about the possibility of a drop or two of a highly diluted, relatively safe chemical possibly coming into contact with dirty laundry or dirty dishes. If I was that paranoid about developer coming into contact with my dirty laundry, I would have to burn my clothes every time I walked out of the darkroom (after all, what else could I do with them?) As for the dishes, I'm far more concerned with what companies are putting IN the food I eat, than the remote possibility that 1 or two molecules of Metol might somehow make it through the dishwasher and contaminate my mashed potatoes.
What I meant about 120 film is that Tri-X is a major pain in the you-know-what to get onto reels. Ilford film tends to be much less curly and I find it very easy to load. I will have to try some Jobo's; I use Patterson.
The developer adds flavor to the coffee, right? You should try it on breakfast cereal!
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