I do table top with normal to long lenses on 4 x 5 or 8 x 10 film. I am not trying to achieve any special effect other than recording the subject plainly then abstracting it with development and then printing.
For 4x5, my usual would be a 210mm
For MF, my starting point would be my 150.
For 35, I would use my 105 macro
The reason for going long is to get a convenient working distance and avoid distortion. For 35, something like 85mm or longer should work well, depending on your specifics.
For some people, "table top" photography means "macro", for others -- like me -- it just means "close up". I deal with things bigger than a bread box, down to postage stamps. I don't consider either "macro".
MF, I use a 90mm Macro. I would probably use a 55mm Macro in 35. Sometimes when I want a shallower depth of focus, I will use a longer lens as long as it is Macro. Table-top photography is all close distance, you want the lens to perform well there.
A lot will depend what you intend to put on your table top.
Also, the answers are likely to vary in response to what people have available to them with respect to working space and light sources.
Your intended purpose will also affect the question.
For example, if you are keen to do the sort of table top re-enactments involving models and toys and replicas that can be hard to tell apart from real life, you would be better served in most cases by shorter lenses.
I want to hear those doing tabletop photography, what are your favorite focal lengths shooting products (macro, maybe wide angle for creative shots, some medium f.l. like 50-80mm)?
Which ones gives you some special look and what are the most used ones? Format 35mm but if you shoot MF or LF, mention your 35mm equivalent.
You are welcome to share your works (Website/social n.)
Maxim
Hence you are welcome to share your setup/lens you use for products like stamps, is it macro lens or not. What focal length you use for which products?
I would be leery of using a 645 lens on a 4x5 camera, the image circle would be too small to cover any movements, even if you are using a digital back or digital camera attached to the view camera.Thanks Pieter. Finally someone uses 55mm equivalent. All the options I read here on forum and on web, photogs usually don't mention lower than 90mm range regular lens.
I just was considering buying either Pentax 67 55mm f/4 or 645 55mm f/2.8 for view camera.
What subjects do you shoot with 55mm equivalent? Do you use movements(t-s/swing/tilt) or regular?
Thanks MattKing. So the wider end of lenses very interests me, as it can be used for some crazy perspectives.
When you mentioned shorter lenses, to which focal length you are thinking and for what subjects? For toys/models? What size. Can you give an example of wide lens & subject combination?
I would be leery of using a 645 lens on a 4x5 camera, the image circle would be too small to cover any movements, even if you are using a digital back or digital camera attached to the view camera.
I do a lot of table-top still life work. Although I do shoot about 50/50 digital and film for still life, these are all digital. The equipment is most usually a MF camera with a 90 mm Macro lens, in a very small, cramped space:
View attachment 378531
Here is one with a FF Digital and 55mm Macro lens:
View attachment 378533
And one shot with a 4x5 view camera, 135mm lens and a FF digital camera as a back:
View attachment 378534
and the set-up for that one:
View attachment 378535
I want to hear those doing tabletop photography, what are your favorite focal lengths shooting products (macro, maybe wide angle for creative shots, some medium f.l. like 50-80mm)?
Which ones gives you some special look and what are the most used ones? Format 35mm but if you shoot MF or LF, mention your 35mm equivalent.
You are welcome to share your works (Website/social n.)
Maxim
The camera is a Cambo Legend with a wide-angle bag bellows and a Fotodiox graflok adapter to mount a Nikon F body. I use a Nikon D4 or D800 with it. Not ideal, a mirrorless body would shorten the distance between the sensor and the lens allowing better distant focusing. As it stands, it cannot focus to infinity. But it is great for table-top work, since the distances are much shorter. Macro work, too. The lens is a 135mm film-grade Schneider, probably 30 or 40 years old. Not up to modern digital standards, but I like the look. The Cambo is a standard studio 4x5 with plenty of movement for swings and tilts, both front and rear. Unlike the newer Alpas and Cambos that are made to be used with digital backs.Very nice images.
What camera is that, some model of arca swiss?
Of course, I meant using P 76 or 645 lenses with view camera with FF/GFX cameras with movements, not with 4x5.
What's you camera at the back GFX or FF?
Nice to know you work with ~50-60mm equivalent (with your 90mm macro lens, if it's GFX or something else)
There are so many options out there with SK/Rod. lenses, starting with 38mm, 47mm, 55mm and 58mm as well as Nikkor 65 SW and Sekor 50 uld lenses out there. What lens brand you prefer to work with?
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