The super tact are much better with color, I have the 50 1.8 in both the SMC and MC, I use the SMC when shooting color on my K5, for black and white I prefer the non SMC. I think the 50 1.4 SMC version also has a radioactive element which my also have a bearing on price.
I thought it was the f1.4 Super Takumar that used a radio-active element in the glass.
Ian
The super tact are much better with color, I have the 50 1.8 in both the SMC and MC, I use the SMC when shooting color on my K5, for black and white I prefer the non SMC. I think the 50 1.4 SMC version also has a radioactive element which my also have a bearing on price.
You got a bit muddled I think
It's the 50mm f1.4 Super Takumar (pre SMC) that yellows, it can be cleared by leaving in sunlight so is not so good for colour but fine for B&W The SMC - Super Multi Coated Takumar is better for colour work.
Ian
Any of the Tak 50s are prone to yellowing of the glass outside of the very first 8-element design, whether they are Super or S-M-C with the metal focus ring or SMC with the rubber focus grip.
My fave is the 8-element for wide open or the SMC with rubber grip for the 8-aperture blades for better bokeh when stopped down.
there is an early version with 8 elements that some people think is better. that may be what the price premium is.
FWIW, the SMC are compatible the the Spotmatic F (open aperture metering). IIRC, some Super-Tak lenses are and some are not.
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