The last gen of Canon cameras are all fast, even the Rebel T2. I was never that fond of the 3. I never used the eye control. Back when I had one I preferred the 1n I also had. I don’t think there is really a choice. Get the 1v.
Ah excellent thanks. This is exactly the kind of insight I was hoping to get.
Can I ask you why you weren't fond of it Patrick?
I think you will find that the eye control focus works for some, and doesn't work for others. And generally speaking, you can't tell whether it will work for you unless you try it for a bit.
In my case, it works for me (an EOS Elan 7e) both when I don't wear my glasses, and when I do (two separate calibration settings)
Can you keep both in memory or do you need to recalibrate?
As I expect you can appreciate, a feature that would only work for some potential customers, who cannot be easily identified before purchase, is a retailer and manufacturer's worst nightmare. My understanding is it is for that reason that the feature didn't make its way into the early and later Canon DSLRs. I'm not sure if it has come back into use.
Thanks for the comments so far.
So I was able to find a local camera shop with a good selection of used gear and lo and behold an EOS 3 was one of the bodies on display.
It was almost closing time and the clerk admitted he knew little about analogue cameras. I was able to handle the camera with no batteries in, which I thought was still a very useful exercise.
It's a bulky camera for sure. For context, my 35mm bodies are Olympus OMs and Nikon. The EOS3 is taller and fatter than my F90X. Weight is in the same ballpark. It has a nice hefty, well balanced feel to it. So all good on the size side of things.
The clerk was then able to locate a 50mm 1.4 USM so I was able to peer through the viewfinder too.
I am glad I decided to do that. I had my spectacles on and, no matter how hard I squeezed my face against the viewfinder, I could not get the full frame into view. I took the glasses off and only then I was just about able to see the entirety of the frame, though the camera was off, so I'm not sure I would have seen the digital display Info too.
I found this puzzling. This is the first Canon SLR I've ever handled. I'm used to Olympus cameras (incredible viewfinder on my OM2n) and Nikons (pretty good viewfinder on my F90X) and I can easily see the entirety of the frame with or without glasses with products from both brands.
Is eye relief on the EOS 3 notoriously bad? Is the EOS 1v better in this respect?
EDIT - of course, it could just be that the shape of my face/nose is a poor fit for the Canon's eyecup wrt the Nikon's or Olympus'. Would be interested in other people's experiences wrt this.
I ran far more rolls of film through the EOS3 then I did the EOS1V and used ECF. Just to be sure, I still don't wear glasses or contacts if that is/was an issue. Having scanned the thousands of frames I shot with both, I have never seen one that was not critically focused even those taken in dark settings. I also used the 550EX which helps in completely dark settings and autofocus is acquired near instantly. I even used some slow Tamron zooms with 2X teleconverters and both AF works albeit noticeably slower then my L series zooms with teleconverters. About the only concern I had with the EOS3 was that it used an IR film indexing device that was known to be a problem with IR film. Unfortunately, I never got to try IR film. The film loading and advance mechanism on the EOS3 was flawless as I shot many partial rolls and reinstalled them without burning a frame. I don't recall trying that on the EOS1V as I had spare cameras by then.
I often switch between portrait and landscape format and that seems to mess up its accuracy.
- Possibly a 40mm f/2.8 USM, a 50mm f/1.8 USM or an 85mm f/1.8 USM.
I'm going to give you a recommendation that doesn't match your criteria. The 40mm f/2.8 pancake lens is remarkably tiny, and surprisingly good.
For those used to manual focus, it takes a bit of adjustment to get used to the "focus by wire" response, but once that happens, it works well.
For those times when the light is good, and you want something that is just a bit wide. And it is so small and light, you can always find a pocket or camera bag corner for it.
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