Exposure (compensation) Tips

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Hi
I am looking for real useful exposure tips that i can apply quick with relative certainty.
For example,
  • I meter with my camera to a relative dark spot that is about 2 stops darker than the average 18% grey. So I underexpose 2 stops in the camera
  • The same for a blue bright sky. I overexpose a little because i don't want the sky turn grey on the print.
  • A footpath is about 18% grey. So i expose and do the metering on the footpath , recompose and make my photo.
Do you know or use other tricks to get a good exposure?
thank you
 
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MARTIE

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Sounds like a handheld light meter would be perfect. For quick and relative accuracy, just take 1 incident reading and keep shooting for as long as the light stays the same.
Or using your camera, take a reading from a greycard.
 

Nitroplait

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Take a reading from your hand. It is always there. Adjust accordingly (my hand is lighter than a greycard, other's may be darker).
 

Chan Tran

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Hi
I am looking for real useful exposure tips that i can apply quick with relative certainty.
For example,
  • I meter with my camera to a relative dark spot that is about 2 stops darker than the average 18% grey. So I underdeveloped 2 stops in the camera
  • The same for a blue bright sky. I overexpose a little because i don't want the sky turn grey on the print.
  • A footpath is about 18% grey. So i expose and do the metering on the footpath , recompose and make my photo.
Do you know or use other tricks to get a good exposure?
thank you
You don't want to change development. In such case you want to decrease your exposure from the meter reading and develop the film normally. You can do that if you use the exposure compensation function or use the camera in manual exposure mode.
 
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BrianShaw

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Didn’t we have this same discussion recently? Have you taken any pictures yet to experience the effects of these metering schemes? Especially answer the following: why do you feel the need to COMPENSATE from a “normal” metering. You may be complicating metering too much.
 
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RalphLambrecht

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Hi
I am looking for real useful exposure tips that i can apply quick with relative certainty.
For example,
  • I meter with my camera to a relative dark spot that is about 2 stops darker than the average 18% grey. So I underdeveloped 2 stops in the camera
  • The same for a blue bright sky. I overexpose a little because i don't want the sky turn grey on the print.
  • A footpath is about 18% grey. So i expose and do the metering on the footpath , recompose and make my photo.
Do you know or use other tricks to get a good exposure?
thank you

the back of your hand is abut Zone VI.
 

Rick A

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Grass meters approximately the same as a gray card.
 

radiant

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BrianShaw

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Doesn't that imply everyone is the same shade? That's very Kodak girl....
I keep getting confused… back of hand or palm of hand. Perhaps we need a new thread to measure and compare hands to confirm or refute this internet wisdom. Something like the thread on Sunny 16.
 

wiltw

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To the OP comment about pavement brightness, I offer this past post of mine...
https://www.photrio.com/forum/threads/meter-recommendations.141702/page-5#post-1868519

the back of your hand is abut Zone VI.

BrianShaw said:
I keep getting confused… back of hand or palm of hand. Perhaps we need a new thread to measure and compare hands to confirm or refute this internet wisdom. Something like the thread on Sunny 16.

That BACK of the hand's brightness depends entirely upon the combination of what RACE of skin color, in combination with the status (that varies with time of year) of the degree of tanning.
The PALM of the hand is about 1EV brighter than 18% gray card....about the same without significant difference based on racial background.

Just taken with Minolta Spotmeter F...my Asian skin in winter pallor:
  • 18% gray card = EV0
  • palm of my hand = +1.3EV (post in Oct 2008, my palm was +1.2EV)
  • back of my hand = +0.9EV
I also posted in the past multiple readings at various other times, of the palm of my hand
https://www.photrio.com/forum/threads/meter-recommendations.141702/page-4#post-1860713

Let the comparative readings begin!
 
Last edited:

Sirius Glass

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Hi
I am looking for real useful exposure tips that i can apply quick with relative certainty.
For example,
  • I meter with my camera to a relative dark spot that is about 2 stops darker than the average 18% grey. So I underexpose 2 stops in the camera
  • The same for a blue bright sky. I overexpose a little because i don't want the sky turn grey on the print.
  • A footpath is about 18% grey. So i expose and do the metering on the footpath , recompose and make my photo.
Do you know or use other tricks to get a good exposure?
thank you

Skip number two. Meter without the sky or using number one and the sky is big enough to take care of itself.
 

Sirius Glass

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Didn’t we have this same discussion recently? Have you taken any pictures yet to experience the effects of these metering schemes? Especially answer the following: why do you feel the need to COMPENSATE from a “normal” metering. You may be complicating metering too much.

+1

thumbs up.jpg
 

BrianShaw

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My left hand is Zone VI with .1.EV difference between front and back.
 

Sirius Glass

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To the OP comment about pavement brightness, I offer this past post of mine...
https://www.photrio.com/forum/threads/meter-recommendations.141702/page-5#post-1868519





That BACK of the hand's brightness depends entirely upon the combination of what RACE of skin color, in combination with the status (that varies with time of year) of the degree of tanning.
The PALM of the hand is about 1EV brighter than 18% gray card....about the same without significant difference based on racial background.

Just taken with Minolta Spotmeter F...my Asian skin in winter pallor:
  • 18% gray card = EV0
  • palm of my hand = +1.3EV (post in Oct 2008, my palm was +1.2EV)
  • back of my hand = +0.9EV
Let the comparative readings begin!

Yes, my skin is a "whiter shade of pale". - Procol Harum
 
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I'm assuming black-and-white negative film here.

In-camera averaging or matrix meter: Just use the value the camera gives you for the scene most of the time. For contrasty situations, add extra exposure: one stop for extra contrasty, two stops for extra, extra contrasty and backlit portraits. Otherwise, no worries and really no need to meter separate areas of your scene (this coming from a die-hard Zone System user). Keep notes and adjust your personal E.I. as needed to get consistently good results. For roll film, use printing controls to deal with print contrast (VC paper, filtration, etc.). No need to use anything but normal development, but keep notes and adjust your normal development time as needed to be able to print the extremes well.

Hand-held spot meter: base your exposure on a shadow value. Use your judgement and experience to decide how you want to expose a particular value. Dark shadow with detail = two stops more exposure than the meter reads. Inky black detail-less shadow = three or four stops less than the meter reads. Luminous shadows = one stop more than the meter reads. Bright shadows in snow = use the meter reading.

The above will get you going and in the ballpark. You can refine as you go and learn more.

I'll let the incident-meter experts chime in with their techniques for that method of metering.

Best,

Doremus
 

Rick A

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Yes, my skin is a "whiter shade of pale". - Procol Harum
Reading from the back of my hand requires about one half extra stop of exposure. A meter reading of my cousin's wife needs two extra stops exposure. She is a milk skinned blond.
 
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