Mike Kennedy said:
I am sacrificing the Kodachrome in the name of science.
Kodachrome makes fine B&W negatives. You'll need to remove the remjet backing after processing, if it doesn't just pour off with the developer (Kodachrome is the only still film with remjet -- which *can* make your developer non-reusable if it comes off in that step). Plan on using a one-shot developer for Kodachrome. Any mild alkali and a little gentle wiping (like with a wet paper towel) will remove the remjet from the base side; I used a solution of 1 tsp washing soda in a pint of water the one time I've done this (a failure because the 40 year old film was shot in a camera with sticky shutter and was hopelessly fogged).
Kodachrome has a clear base, no orange mask, because there are no dye couplers in the film; it's essentially a three-layer B&W film that gets color due to the special, and very complex process it receives. There is a yellow filter layer, but that is made of silver grains so fine that mild overfixing in rapid fixer (call it a half hour) will remove the filter layer. The end result *should* be a very clear base with crisp, clean B&W negative images. I've got another roll here (came in a 40 year old camera, probably with major focus problems) that I'll be trying soon.