Yes, I know I won't get the same quality scan I got with the Coolscan LS8000, but I think it will be fine for 4X5/8X10 film. 120 film scanning will take a little hit, but I don't plan on making giant digital prints from medium format anyway. I still wet print and any negative really worth top quality would be wet printed also. The Epson would be for digital logging and quick proof type printing. I've used an old Epson 2450 and now a 3200 for 4X5 with pretty darn good results. A friend gave me his Microtek M1 scanner, which scans under the glass top bed and it works even better than the older Epson scanners. The only down side to the Artixsan M1 is it's quirky and not as easy to use as the Epson scanners. I think I'll do a little more research on the GT-X980 and if it prove worth while I'll go for it. Koraks, as usual, you give well thought out advice.Yeah, appears to be the same scanner. Just a different model number for the Japanese market. The power supply may also be a different one; verify that the scanner comes with a power supply that'll work with your US outlets. Voltage will likely not be the issue - most of these SMPS units are 100~240V 50/60Hz rated anyway, but check that, too. Verify it has the proper plug and if not, but it does have the proper voltage rating, then get an adapter to go with it.
Sorry, no hands-on experience. If the price is really half that of an 850, I'd just go for it if you feel you need to own a scanner.
Don't expect the same kind of quality from any flatbed that you got from the LS8000. It'll be OK for 4x5", on medium format you may find the flatbed scans very 'fuzzy', but they generally print well up to significant enlargements still. With medium format, I suspect you'll get better overall image quality if you use the Sony digicam for it. Sheet film may be past the tipping point, although ask yourself how many pixels you need in your 4x5" scans anyway.
Maybe, thinking this through, in your shows I'd just start with the Sony and then see if you find it lacking in any way, after having thoroughly optimized the setup.
You don't know how much you miss something until you don't have it anymore. I'm going to give my Nikon LS8000 one more little try repair, but I'm just totally frustrated with the scanner at the moment. I still want a good flatbed for speed and ease of use. The deals on the Epson GT-X980/V850 look very tempting at the moment.The flatbed will be fine for your purposes, I think. It's exactly what I use mine for. I'm not sure if I'll replace it when it breaks, but I admit that I hope that point is far off, still (well, it broke the other day, but I have provisionally mended it).
On the big auction site I checked a GT-X980 from a Japanese seller and it comes with four holders just like the V850 comes with. I'm still doing a little research yet, but will decide on whether or not to purchase later tonight. I'm leaning toward taking a chance.One thing I couldn't quite figure out from the information I saw was whether the Japanese model comes with the same variety of negative and slide holders that the v850 pro includes in the box.
Maybe I should have saved my money and just bought a digital back for my Hasselblad. Ha-ha! For me, digitizing 35mm with my 42mp Sony is very practical and fairly easy to do, but when going to larger size negatives I just figure the new scanner is easier and faster. No lining things up, no stitching just the time it takes to do the scan.Congrats on the new scanner!
It makes business sense that the V850 turns out to be the swan song of 'prosumer' flatbed scanners. It's still a little sad, of course. The reality is that scanners have been going out of fashion for a long time; about a decade ago, I was at trade fair aimed at the heritage/museum sector and I noticed that the imaging solutions offered were all based on a big digital Hasselblad mounted on a glorified copy stand.
I made it back to my cottage and set up the GT-X980/V850. It was a piece of cake! The only thing in Japanese was the written manual that came with it. I just pulled up the V850 version off the web. The software disc was all in English. No power adapter is needed. It probably took me a total of ten minutes, and I was up and scanning. I just used Vuescan that I already own. I'll compare it to Epson scan tomorrow, but so far it works great with Vuescan. I'm glad I pulled the trigger on this one.
I didn't do any fancy scanning. I scanned two rolls of 120 Kentmere 100. Both were out of a couple of Zeiss folders that I'm setting focus on. The scanner seems sharper and faster than either my old Epson 3200 or the Microtek Artixscan M1. The 120 film holder seems a little flimsy, but worked just fine. Haven't tried 4X5 or 35mm yet. I do know that it plays very nicely with Vuescan and I suspect it will with Epson scan also. All I know is that I saved a few dollars and will use that to buy some film or whatever.How was your first scan? Very interested to learn about this deal. Thanks for sharing.
About the v850 holders for 120 - my neg strips are of 4 frames, 3 strips (to minimize end frames). Not only the holders are not long enough for 4 frames, the clamping feature would puncture the film if it ran out beyond the frame.
When I scan 120, I tape (with blue painting low stick tape) the edges of the film down onto a piece of anr glass, and place the glass e-down on the scanner, separated by strips of aluminum and shimming at the sides. I determined the necessary height (for focus) by buying 2 feeler gauge sets, cleaning them up and testing trial and error with the glass/neg setup until sharpness was optimum. (On my scanner, it's 3.25mm).
It's how I scan all 120 and usually 4x5. And with 4x5, if you place carefully, you can mount 2 4x5's vs the single one using the holder.
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