Theodor Bader
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This looks really nice to me. I can see why you want to push further.
I think good advice here is simply “trial & error”
Here my first and at the moment only result. I am very happy about the result. Left: paper negativ with white frame. The picture is 40x50mm. Right: Picture 90x140mm
OK!! looks great - the "Picture 90x140mm" is from a projection ??? how??
Looks good. What is the exposure time in minutes?
One trick is to use a high quality distinctly longer than "normal" focal length enlarger lens, so that you can take advantage of just the center of the optic printing with it wide open, or almost so. That's what I did when enlarging onto slow Azo contact paper. For example, for 6x7 negs, I used a 150 Apo Rodagon lens wide open at f/4, and got very sharp results (provided everything else in the setup is properly aligned, focussed, and dead flat the whole time).
I've done this a couple of times with 4x5 paper negatives. I made the same image on to a 4x5 paper negative, and a 4x5 sheet of Tmax 100, and enlarged both onto 8x10 Ilford MG IV RC paper, to permit a comparison to be made. The first image is from the paper negative, the second image from TMax 100.
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I was surprised how similar the two images are. Sure the enlargement times are long, but lith printing has made be comfortable with long exposures
The next example was made using two types of very old paper I was gifted. The negative was made on Kodabrome II RC and the positive onto "Barclays" paper. In this case, the imperfections of the paper show up but I'm happy that they add to the feel of the image, which is framed on the wall above me as I write this.
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I've taken a test roll of sellotaped together RC paper in my Holga. I tried various exposures and from first look, they seem to hold lots of detail.
Next comes an enlargement or two.
Terry S
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