snusmumriken
Subscriber
I've just joined this forum because I have a 'thing' about Emofin, and a search landed me in this forum. Looking back over several decades of fiddling amateurishly with many different film/dev combinations, all my best images were with Emofin. Since its demise, I have tried Barry Thornton's 2-bath dev and variations thereon, as well as old standbys like ID-11/D-76 - but the fact remains. Films involved include Tri-X (of course), but also FP4+, HP5+, Delta 100 and Delta 3200. All gave their best with Emofin, but especially Tri-X, Delta 100 and Delta 3200. Those last two may surprise some people who doubt that modern thin emulsions can hold enough developer. Emofin gave me a great combinations of more than box speed (reliably +1 stop) and fine grain.
Having said all that, I had a recurrent problem with muddy, inseparable mid-tones, so it wasn't all roses. In indoor, window-lit conditions or artificially lit scenes it was bloody brilliant. Outdoors it was also great so long as the image didn't involve lots of natural vegetation.
I still have 3 packets of Emofin in the cupboard. I will use them up, but what happens then? Has anyone else been through this ordeal and found a satisfactory replacement?
Thanks in anticipation for your thoughts.
Having said all that, I had a recurrent problem with muddy, inseparable mid-tones, so it wasn't all roses. In indoor, window-lit conditions or artificially lit scenes it was bloody brilliant. Outdoors it was also great so long as the image didn't involve lots of natural vegetation.
I still have 3 packets of Emofin in the cupboard. I will use them up, but what happens then? Has anyone else been through this ordeal and found a satisfactory replacement?
Thanks in anticipation for your thoughts.