Compared to KBr as a restrainer, Benz tends to slow print emulsion speed, you need less of it (typically about 1/4 comparable gram wt), and it is more likely to induce a color shift in papers toward cool. Of course, you can combine these restrainers. The practical effect does have a lot to do with
the final image color you are trying to achieve. Many MQ developers can create an annoying "dektolish" greenish tinge in color and neutral tone papers. This might be shifted to a slightly more neutral black by use of benzotriazole. Or maybe not. In Polygrade V, I could achieve an almost blue
black. I am not the correct person to describe what happens chemically. But in practical terms, the whole question is complex enough that the only
really easy answer is simply to experiment. Every time a favorite paper disappears and I need to find a substitute, I'll tinker with several formulas
until I understand what I like or don't like visually. That's what counts. Nowadays I tend to avoid MQ developers in general and stick pretty much to
tweaks of amidol and glycin. But which restrainer I use, and how much, is decided by the end result, including any potential selenium, gold, and sulfide toning, which in every case is matched to the specific image I am working on. Maybe some darkroom workers follow a methodology of "one
shoe fits all" when it comes to developers, but I am not one of them.