I just spoke with Bellini technician, and he suggested to do divide by two half a litre and do with the first half a litre 3 films (at 3:00mins) + 3 films (at 3:30mins) without mix the two half a litre. and with the second half a litre 3 films (at 3:00mins) + 3 films (at 3:30mins)1) for optimal result
or
5) develop in any batches you want (1, 2, 3 or 4 rolls at a time) and extend* the next batch development time according to the number of rolls processed
* The question is how much to extend the time for every roll processed. For example, Cinestill recommends increasing development time by 3% when you are working with 1L of solution for every processed roll (I don't think Bellini gives any information about that). Cinestill is probably the most home user oriented supplier for ECN-2 developer and I'd expect that they arrived at their numbers by actually testing their product in the manner that home users are most likely to use it. Of course, Bellini is not the same as Cinestill ECN-2 developer but their numbers should at least provide a good starting point.
wondering if I am just wasting chems
Well, at least we waste together. I use ECN2 developer one shot, only. It's cheap when mixed from bulk chemicals, so it doesn't bother me.
Can You please share your workflow?
Also I don’t think Fuji hunt has replenishment data.
Do you know if it is the same formula as fuji hunt bleach?
The stop bath is not really needed when using a properly buffered, acidic bleach. I use it mostly to prevent my bleach pH rising in case I'm sloppy with replenishment (which I tend to be...)
Depends on the chemistry you use. Not for the small-scale home-oriented kits, but for all their lab chemistry (which is the vast majority of what they make), they have replenishment data in the technical bulletins.
There are several types of Fuji Hunt bleach, but I think they are very similar in the end. Hunt is just the name of the chemical company they acquired decades ago; the Fuji Hunt plant is located in Sint Niklaas, Belgium, and it's the main manufacturer of color chemistry (and a host of other products) for the European market. Their product range is quite varied and changes from time to time. For information on the chemistry you use, it's best to take the product number (a 6-figure code usually starting with '9') and google that. You should find some product notices and technical bulletins that way.
I remember you or somebody else saying that they reuse the bleach but one shot the dev and the fixer.
I do reuse the fixer.
I also go from Ecn-2 to C41 bleach right away without a stop.
Can You please share your workflow?
Thank you. As usual great advice.
I will use it with stop tomorrow.
I mix ECN-2 developer, but I skip the hard to find ingredients.
I've not tried keeping it around as long as you have; I think I would add a little hydroxylamine sulfate if I would want to preserve the developer.
Another note. I do a pre bath per Kodak’s formula.
And it works great. 10 sec pre bath no agitation.
After that a good shake and everything comes out with the first water.
After that there is zero Remjet.
I also do a PB-2 pre-bath. It removes quite a bit of the remjet, but not all of it. Only with the Fuji films does all the remjet fall off, but with the Kodak I end up having to manually peel off the residue.
After that there is zero Remjet.
Which formula?
I use this one
View attachment 363707
Before when I used the other formula there was alway a little left.
With this one there is nothing left.’
Is this on Visoon3 film? I understand Fuji Eternal would come out pretty clean. Visoon3 I've never managed to clean entirely with a prebath and lots of vigorous shaking. It always required a wipe down afterwards. Maybe 95% of the remjet would be gone, but the 5% still posed a problem when enlarging. That's why I gave up on the remjet bath; if I need to manually clean it anyway, might as well do it in a single step. So far, that works quite well for me.
Here is what comes after.
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