Technicolor cameras
The three strip technicolour cameras were only used for a brief time, once Kodachrome was available, Technicolour made a deal to have it perforated for Motion Picture use, and sold exclusively through technicolour for that purpose. The three strips were then made in the lab off the technicolour Kodachrome original. I guess they used a Kodachrome dupe material to provide work-prints, or maybe just B&W reversal.
Eventually Eastman color Negative was used in Camera.
Don't know where you're getting your information, but if somebody put a gun to my head I'd have to say that it is largely inaccurate. The first three-strip Technicolor camera was built in 1934 by a machinist named William Young who worked for the company. It filmed the first 3 color Technicolor short, "La Cucaracha". The first 3 color feature "Becky Sharp" was released in 1935, the same year that Kodachrome 16mm was put on the market. When "Gone With the Wind" was filmed in 1939 there were only seven Technicolor three-strip cameras on planet earth. Eventually there would be around forty of the cameras. One was used in Great Britain to film Olivier's "Henry the Fifth" and his "Richard the III", among other films. That camera is now on display in the Museum of the Moving Image in Queens, NY. One of the "Gone With the Wind" cameras is on display at the Roosevelt Hotel in Hollywood, CA. I have not seen any other surviving cameras. All had Zeiss lenses which were custom designed to provide a longer focal length which allowed for more room to fit the three-strip mechanism.
There could be others, but I am aware of only two Technicolor films which used Kodachrome as a source for the original color image: John Ford's "The Battle of Midway", (1942); and Louis Hayward's "The Marines at Tarawa", (1944). Both films were documentaries which used color footage actually shot during the battles. Only Kodachrome 16 had a camera small enough to allow combat filming. I assume that separation negs were made of the Kodachrome original and the dye-transfer matrices were made from these.
As I recall a film, "King Solomon's Mines" (1950), first used color sequences shot on a monopack in-camera negative. Most of the film was shot with three-strip cameras, but some of the live action footage used a newly invented chromogenic monopack film--this might have been based on Kodachrome. Technicolor might have entered into an exclusive dealing contract with Kodak for this product. Anybody know?
Technicolor's three-strip cameras were not used after 1951. Dr. Hanson's incorporated masks had been perfected by Kodak and this invention allowed camera color negatives which could produce commercial quality release prints. Technicolor labs still produced three color dye-transfer release prints using these negatives up until the 1970s, or thereabouts. I think Kodak waited for the Schinzel patent on monopacks to run out before they introduced their monopack product in 1951.
I am amazed that George Eastman House has preserved some of the Technicolor dyes. My recollection was that Technicolor relied on dyes available commercially. Friedman points out that Technicolor would purify its dye solution by mixing in a raw egg white. The coagulate was then filtered out taking with it heavy metal and other contaminants. They could have custom designed their dyes at a later date. I plan to visit the George Eastman House and will make it a point to ask after the Technicolor dyes.