I do. Portfolio is just right.
I do. Portfolio is just right.
Why, since RC is mainly for work prints, quick commercial and handout head shots. No serious B&W fine printer used RC for finished work.
Simple "we've always done it this way and the early RC papers were awful" bias.
I do print my finished prints intended for framing on FB, but today's best RC papers are do darn good I often wonder why I bother with the hassle. This is especially true of 16x20s and the ease with which thoroughly wet DWFB is creased or otherwise damaged in handling.
RC paper used to be thicker, but economic factors cause it to lose weight!
PE
If you think RC paper is thin, you'd hate the old single weight papers. Find some old prints from up through the 1960s - even old family snapshots. That's probably single weight paper.
In my search for finding a way to get flat fibre prints, I tried the suggestion to dry mount a test print to the back of a finished print, and I discovered last weekend that it works remarkably well. The result is much stiffer than I would have imagined and the print stays flat. I don't have an expensive dry mount press. I bought some mounting tissue (DuraCraft DuraMount Dry Mounting Tissue ) and use a clothes iron.
So far I have only mounted the test print with the emulsion on the outside, but I don't see any problem with mounting the test print with the emulsion hidden. If you're so good that you don't have a large enough supply of not good enough prints, you could buy some heavy card stock.
I do. Portfolio is just right.
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