Ko.Fe.
Member
It is too darkward for guy on the left. Amount of white is not going to help it. He is alienated by photog.
You've lost me with that commentIt is too darkward for guy on the left. Amount of white is not going to help it. He is alienated by photog.
a tad dark but nothing to worry aboutI offered a photoshoot (family portrait) for a charity event and the family that bought it are friends of mine. I used my Chamonix 8x10 with ilford HP5+. After taking the picture and scanning it with my Epson V850 I was really happy with the results.
After bringing it into Photoshop I just used ACR to correct the exposure and touch up some dust spots
I printed it on Epson Hot Press Natural paper and to me it looks a tad dark but my wife seems to think it is perfect, so I am throwing it out to the gang to see what you think?
My mate hasn't seen it yet but his plan is to have it printed 60 x 44 inches as he has a large wall at his house to hang it. Photoshop says to print at that size it would have a PPI of 259 which I think will be plenty.
View attachment 262156
Comments remarks very welcome
Neil
The second version is better. The first was too dark.
I will give him both A3+ prints. If he decides to go for the 60 x 44 inch then he can decide which variation he prefers with the option to also go somewhere in-betweenI think the 2nd go is an improvement, offer it for approval & good luck!
Ideally w/ a picture that good, you want to make 100% sure the lighting is right. I've been thrown by this many times as a painter and finally gave it up. It's not possible to know what anything actually looks like. There is no native, inherent look to anything, it all depends on what light it's in.
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