• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Digital Printing

Pieter12 said:
Not possible any more.
Click to expand...
Possible - sure. Feasible - not really for most of us.

Bettina Haneke – Dye Transfer Atelier

Atelier für Dye Transfer
www.bettinahaneke.com
There's a few more, but these people currently seem best positioned to produce in a commercially viable way (within this tiny niche)

The whole horse of "we don't know how archival X or Y is" has been beaten to death. There's data out there and at the same time, the arguments against its validity and reliability are inherent to the methodology. So that's one puzzle we're never going to solve - not even in 40 years' time. I see no progress in that discussion even though it has popped up here several times. Then there's the question for how many of us long-term stability (decades, centuries) of a print is really a pertinent issue.

Let personal choices be just that. What I find interesting about them is to hear about personal motives. What I find decidedly less interesting and more iffy are attempts to make universal claims about what's inherently better in one way or another. I don't think it works that way.
 
@cliveh how many digital prints will you be making or getting made? What are they for?

I'd like a good inkjet printer but can't justify it - I wouldn't use it enough.
 
Don_ih said:
@cliveh how many digital prints will you be making or getting made? What are they for?

I'd like a good inkjet printer but can't justify it - I wouldn't use it enough.
Click to expand...

I wasn't thinking about making any digital prints myself, but paying a printer to do it for me should I find something I want to print.
 

Have fun in your new rabbit hole. I tried, and now my Epson is in the dumpster, and I'm back in the darkroom several thousand dollars poorer.
 
RalphLambrecht said:
Have fun in your new rabbit hole. I tried, and now my Epson is in the dumpster, and I'm back in the darkroom several thousand dollars poorer.
Click to expand...

Did you do quite a bit of printing using digital negative? The reverse of what the OP wanted to do? But for me I keep analog analog, digital digital neither is better or worse I keep them in their own space.
 
cliveh said:
I wasn't thinking about making any digital prints myself, but paying a printer to do it for me should I find something I want to print.
Click to expand...

That's a sensible approach, since a good printer is expensive and really needs to be used pretty regularly. You'll likely also get better quality that way.
 

I print both inkjet and wet prints in colour and black and white, I like both methods of printing and kind of disagree with cliveh a bit , IMO he is not wrong that for the casual printer it is easier to make a better print using digital methods, basically I could train my puppy Milly to hit auto contrast - auto colour and then have her move the levels slider to achieve a good if not surprisingly great inkjet print.
What I cannot do is train Milly the concept of colour theory , range of tonalities and contrast required to operate an enlarger or better yet multilayered colour image over palladium.


The difference in visual presentation can be equal and this is where I agree with cliveh , the difference between a well executed tri gum vs an inkjet is basically the physical texture of the prints, but in my opinion the most important factors are the uniqueness of making a print with brushes , light , water , paper , crushed stone, tree sap and actually seeing a print that can equal the values that an inkjet can achieve, and also the knowledge that if one uses Palladium and Blue Wool Scale pigments of high scale the print by hand has the potential to last for many centuries, I have yet to meet an authority other than the marketing departments of Epson tell me what to expect with their inks.

thats it- hand craftsmanship and longevity is the answer for me and if these two values do not matter to the artist then I totally agree with cliveh to keep in the inkjet lane.
 

ditto
 
I loved Ilfochrome prints that I made in the darkroom myself, and displaying them on my wall. OTOH, I could not print a 20" x 60" color print on canvas in the darkroom, I could easily achieve that and mount it on my living room wall with digital printing. by using a commercial digital print-making service. Different strenghs for different purposes...there should not be comparison, there should be taking advantage of what each brings!
 
I like analog prints. I think they have aesthetic qualities that are distinct. It’s not a technical debate for me. When I look at a contemporary darkroom print, I experience it in a similar way to looking at a 100 year old darkroom print, because it’s basically the same thing. I would characterize that experience as connected to an unconscious understanding of how it has come into being (how it was made). I would loosely characterize the prevailing thought as scarcity - something rare.

With an educated eye it’s usually fairly obvious when looking at prints to determine whether they are darkroom prints or inkjet. I don’t get the same experience described above with inkjet prints. It’s not a question of technical superiority or inferiority, but they are different. When I look at an inkjet I don’t see it in the same way I see a 100 year old darkroom print, because it’s obviously different.

inkjets are amazing. But in my mind they are more closely associated with advertising/ point of sale stuff. Or signage. That in itself isn’t a diss. Much of the greatest most innovative photography was commercial to the bone. But I think of my work in dialogue with the historical work that inspires me, and in that sense inkjet doesn’t really work.
 
Last edited:
wiltw said:
there should not be comparison, there should be taking advantage of what each brings!
Click to expand...
Hear, hear!
To add - I do personally think comparing as such is fine if it's about understanding the pros & cons of each medium/process, which evidently helps greatly in deciding how to print a particular image or project. It's only when/if the comparison has a normative undertone, my heart invariably sinks.
Anyway, enough said!
 

if interested in a paper print,the wet darkroom print on FB paper is unbeatable. If a digital file is the desired outcome, it's best to start with digital and stay away from crossing technologies.
 
I recently needed a print for a show and did not want to send my sole silver gelatin print. I had a very good shop scan and print it, and they did an excellent job, pretty much indistinguishable from the original. The printer did tell me it was a challenge, though. Just as an illustration, here is the image. Whatever you see on your screen isn't close to the original.

 
Disappointed_Horse said:
Saves you from having to use a computer with a lens on it take pictures.
Click to expand...

I wouldn’t describe my Rollei Hy6 as a computer with a lens.
cliveh said:
The 1000s of captures is pray and spray and the editing is making. Sounds to me like the opposite of zen art.
Click to expand...

My motor-driven film cameras shoot at a faster rate than my MF digital gear.
 
You must log in or register to reply here.
Menu
Log in
Register