I might be special, but I had colour shifts in my attempts and I gave up. And in Australia the prices are 2-3 times higher than in Japan.
Not to mention the film that I process in Japan is dust free and the ones here in Australian lab are covered lots of dust.
Did you measure these color shifts with test strips and a densitometer, or at least with optical RA-4 printing? You do realize that scanners and their software drivers introduce all kinds of "smart" corrections that end up looking like color shifts and cross over ... ?
I was going to respond to that exact effect. One example: Kodak Profoto XL (RIP) consistently scans on my Epson V500 scanner with a green/gold cast. I've read that others experience the same. When I wet print it, I see nothing of the sort. And I'm not dialing in some crazy filtration to compensate. In fact it's very consistent for me between rolls and prints beautifully at 65M+75Y.
I'd caution anyone to draw conclusions about their C-41 processing based on casual scanning -- at least as it relates to color balance.
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