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Dial in Filtration

An tSráid Mhór

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An tSráid Mhór

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gavin

Member
Allowing Ads
Joined
Dec 7, 2004
Messages
8
Location
Dublin
Format
35mm
I was wondering if anyone has any links to articles relating to using dial filtration for monochrome prints any help is much appreciated.
 
Hi Gavin,

I have a good article on this topic kindly given to me by another APUG member and I will be happy to post you a copy if you PM me with your address.

Peter
 
Thanks both of you, have been very helpfull, exactly what I've been looking for. Very hard to get google to to return anything worth while.
 
I've simply used the settings recommended by Ilford for the dichroic head that I've got. Seems to work fine. Should I be doing my own calibrating?

Gavin, once you get up and running with a dichroic head, make sure to pull out a contrasty, difficult-to-print negative and have a go at split filtering. I just went dichroic recently, and split filtering has been the big revelation. I made some prints of pure white dogwood blossoms. I got detail in the highlights, right next to almost-black shadow areas, with no dodging or burning. Amazing!
 
jdef said:
The idea that you can give two separate exposures of different filtration to the entire print and get something that can't be duplicated by a single exposure of intermediate filtration is voodoo to me. Jay

It is voodoo. Simple densitometery can demonstrate that.

Kirk - www.keyesphoto.com
 
Quick question

Where online would I buy a step wedge.
 
Hmmm....I bought a used Saunders LPL dichroic enlarger with dial-in filtration and discovered, after extensive testing, that using only the magenta dial gave me complete tonality (after thoroughly testing combinations with both the magenta and yellow dials with the cyan dial at zero and discovering a lack of satisfactory tonality). I wonder why this was so? Does anybody know?
 
Dear tbm,

Are you saying that you could not lower the contrast of your VC paper of choice by adding yellow alone as compared to no filter?

Neal Wydra
 
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