Why not? The paper thickness?
Camera "film" with a 35mm perforated paper base is nothing new. So the issue of tank developing would have come up before.
I do have a "universal" adjustable reel that works with 616 film, but loading it with the incredibly curly and brittle old 616 film I have is an exercise in frustration!
Thus my desire for a 616 apron.
Hmmm - perforated 70mm film adapted for use as an apron. Sounds like a possibility!
Matt, Kodak Aerographic 70mm is on estar base, thin and very strong. Maybe is not bad idea to strip emulsion of it first? #116 film is 40" long. Just let me know when you would like to have it? Fishing lane is on you.
There are stainless steel reels for 616 film, I have one. They are a bit hard to find though.
The subject of this discussion sure makes me feel old, but then I AM old. I don't remember Kodak ever making a plastic developing tank other than the ones with the plastic sleeves and they were sold new as late as the late 1950s, maybe even 1960s/70s, here in the USA. In the late 1940s until the 1960s, the most popular plastic developing tanks were the FR and Ansco. Nikor steel tanks and reels came out about the same time. I did not see many of the Leitz tanks used......Regards!All Apron tanks I knew of before were older than me...
However, today for the first time I learn of that Kodak tank. it seems to be younger.
Which manufacturer actually introduced that apron principle and when ??
This page mentions aprons going back to 1902 with Kodak, but doesn’t show a picture of the apron. It does have a picture of an apron system from Correx in 1931:
http://www.earlyphotography.co.uk/site/entry_D70-X.html
The aprons / Lasagna are available new from Firstcall photographic .
http://www.firstcall-photographic.co.uk/firstcall-developing-tank-lasagna-reel/p856 .
The Kodacraft tanks can't be inverted for agitation. One uses "figure-eight" agitation on the table-top or sink bottom.
For that reason, you don't have to attach the film to the apron.
The Kodacraft tanks can't be inverted for agitation. One uses "figure-eight" agitation on the table-top or sink bottom.
For that reason, you don't have to attach the film to the apron.
I thought I understood a little bit of darkroom work, but that product description remains enigmatic to me...
-) how to fasten the film leader to the apron, as hinted at?
-) it is not stated to have the the collumn installed! (The way the coil is done in the sample, there would not even be space for a collumn.)
-) how it is prevented from the coil to move around the tank? Imagine the coil is wound just enough to stick a little on the collumn. It might move up the collumn during inverting and remain there, what would result in uneven development. It is necessary with an early Jobo two-reel tank to arrest the coil with the clamp. I guess with other two-reel tank a reel would have to be placed above the coil.
As I recall using them in the 60s I never attached the film to the apron, just rolled the film in the apron, a metal plates with a number of holes held the roll in place, when using a larger 2 roll tank there were 2 plates, one plate between the rolls and a top plate. If you only developing one roll in the larger tank, loaded apron on the bottom, an to an empty apron and plate on top. And there is no column, the lid is similar to a stainless steel lid.
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