I began my darkroom "career" with a Kodak tank which used aprons. IIRC my Father and I had aprons for 35mm, 120 and 127. What do they look like? Imagine a transparent piece of lasagne the length of the film plus a little, with a small roll at one end secured with a rivet. In total darkness the end of the film is put against the rivet, and the "lasagne" with its frilled edges, is wound up with the film, forming a sandwich. In the Kodak tank a slotted metal plate held the whole thing down; I additionall used a properly sized rubber band around the roll of film/apron. No inversion agitation. The device worked well; with 35mm the perforations hid the tiny spots of contact with the apron, on 120 am 127 the spots might be visible depending on the film gate of the camera. I used the tank for Ektachrome processing, the one with reversal via photoflood lamp!Sounds useful but I cannot envisage what an apron looks like that makes it perform the function of a reel but is easier to load. Can you show pictures of it?
Thanks
pentaxuser
Yep - the raised bits keep the layers separated, and the film "floating" in between.Certainly a new piece of kit to me. Thanks all for the explanation and pictures. It isn't immediately obvious from the picture of the apron but from GRHazelton's explanation it sounds like the edges of the apron have raised bits to ensure that the film doesn't stick to the apron which might prevent development. Have I got this right?
pentaxuser
All Apron tanks I knew of before were older than me...Is it possible to buy aprons for film developing. I have googled it and all I get is kitchen related stuff.
Quite right! Dried lasagne pasta was the best example I could come up with. I don't know what happened to my old tank....Certainly a new piece of kit to me. Thanks all for the explanation and pictures. It isn't immediately obvious from the picture of the apron but from GRHazelton's explanation it sounds like the edges of the apron have raised bits to ensure that the film doesn't stick to the apron which might prevent development. Have I got this right?
pentaxuser
A "fun" thread! I used the Kodacraft tank for 35mm, and found it much easier for 120 than stainless steel or Paterson. I find the thinner base of 120 film difficult to handle in Paterson reels. If I could find a Kodacraft tank with the 120 apron I'd seriously consider it. I have no idea where my tank has gone.
Thanks, I saw it, but from what I could tell the apron was badly discolored. Probably not a good sign.There is one on Ebay.
I find the thinner base of 120 film difficult to handle in Paterson reels. If I could find a Kodacraft tank with the 120 apron I'd seriously consider it. I have no idea where my tank has gone.
Keep in mind there are two different Jobo reels, the clear and the white ones.... I find the Jobo 35mm reel easier to use.
Thanks, I saw it, but from what I could tell the apron was badly discolored. Probably not a good sign.
Why not? The paper thickness?Their “film” can’t be spooled on standard reels (plastic or metal)...
Matt, you can make your own #616/116 apron from 70mm film and threading thicker fishing line thru perforations. If you have wide enough reel I will give you few feet of 70mm film or just use 2 paterson reels to make 70mm wide reel. It works!Yep - the raised bits keep the layers separated, and the film "floating" in between.
I first used them about 50 years ago.
If someone has any of the 616/116 aprons, I'd love to talk!
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