Developing on the road

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Mick Fagan

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The last time I did this was 2019 in New Zealand, we flew into Wellington and the next day I picked up processing chemicals 1 litre bottle of Ilfosol 3, first time I've used it, 1 litre bottle of Ilford fixer and cadged some wetting agent from the terrific woman behind the counter instead of buying a whole bottle.

Dropped into the first supermarket I passed and picked up three 500ml plastic kitchen measuring jugs.

Everything else I carried, which was a Jobo 1520 tank, takes two 135 or two 120 rolls, thermometer, film clips and some plastic string. The string is great for making something to hang the film from, usually in the shower and can be wiped dry for travelling quickly.

Once the film is dry, I clip the jagged ends where the film clips left marks, then roll the film tightly and pop it back into the 35mm canisters, marking the top with a felt pen with pertinent data.

Works a treat and I've been doing this for around 40 years of travelling, mainly to Europe.

Film is almost always loaded at night time, often in a bathroom or toilet with a black plastic sheet over the toilet window. Other times in private houses I've sat inside a wardrobe on a stool with a blanket draped over the wardrobe door to really blacken the loading space. It can get hot and sticky in a wardrobe, but if you are reasonably quick, you'll be sweet.

Iceland in 2018 was problematic in that virtually everywhere we stayed (6½ week trip) there were no window coverings of note and as it was summertime there the sun never set and no wardrobes. Around 23:00 hrs it started to get reasonably dark, so a blanket was held up by my ever suffering wife while I sat in a corner on a chair facing the corner loading a couple of reels.
 

Sirius Glass

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Caffenol, Parrodinal, ascorbic acid, white vinegar materials from Apothecaries, Wine & Beer hobby shops (in Europa), pool supplies, Arm & Hammer products, including clothes washing soda, all should be available as well as pitchers, scales, measuring cups and spoons, thermometers from Walmart type stores.

Camera Clubs & Stores, U.S. Base's PXs, are also possible locations and you might even luckout with quality film scanning services or equipment.

Take a tank or two, with reels and stop worrying about undeveloped exposures being ruined by radiation machines.

Oh, so if one is overseas for three weeks to a month, they should spend one week running around buying chemicals and dragging part of their darkroom in their luggage. Then arguing with the customs inspectors.
 

eli griggs

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Oh, so if one is overseas for three weeks to a month, they should spend one week running around buying chemicals and dragging part of their darkroom in their luggage. Then arguing with the customs inspectors.

If it takes more than an afternoon to get what's needed, from stores you're doin it wrong.

You also do no cross Nation lines outside the EU States with any unpackaged materials that look like contraband.

Measuring cups, other I mentioned, and including tank and reel hardware you bring with you won't cause any issues and processed films do no rate a second look and you do no try to import that bag of Sodium bisulfate or other non-mfg packaging anywhere like the U.S. Russia or the Middle East, etc.

The adventure of the travel, together with being able to enjoy your own developing is worth the minor effort of kittin yourself out in situ, IMO.
 

npl

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Nov 28, 2021
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France
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The last time I did this was 2019 in New Zealand, we flew into Wellington and the next day I picked up processing chemicals 1 litre bottle of Ilfosol 3, first time I've used it, 1 litre bottle of Ilford fixer and cadged some wetting agent from the terrific woman behind the counter instead of buying a whole bottle.

Dropped into the first supermarket I passed and picked up three 500ml plastic kitchen measuring jugs.

Everything else I carried, which was a Jobo 1520 tank, takes two 135 or two 120 rolls, thermometer, film clips and some plastic string. The string is great for making something to hang the film from, usually in the shower and can be wiped dry for travelling quickly.

Once the film is dry, I clip the jagged ends where the film clips left marks, then roll the film tightly and pop it back into the 35mm canisters, marking the top with a felt pen with pertinent data.

Works a treat and I've been doing this for around 40 years of travelling, mainly to Europe.

Film is almost always loaded at night time, often in a bathroom or toilet with a black plastic sheet over the toilet window. Other times in private houses I've sat inside a wardrobe on a stool with a blanket draped over the wardrobe door to really blacken the loading space. It can get hot and sticky in a wardrobe, but if you are reasonably quick, you'll be sweet.

Iceland in 2018 was problematic in that virtually everywhere we stayed (6½ week trip) there were no window coverings of note and as it was summertime there the sun never set and no wardrobes. Around 23:00 hrs it started to get reasonably dark, so a blanket was held up by my ever suffering wife while I sat in a corner on a chair facing the corner loading a couple of reels.

Sounds like a changing bag would be a good investment for you :smile: properly folded, they won't take up more space than a sweater in your luggages.
 

Paul Howell

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Dec 23, 2004
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When a working PJ I developed a lot of film in hotel rooms and bathrooms. D96 is an option, not one I used, but I have used Diafine which was the easiest. You can use divided D76, works much in the same way as Diafine. Buy a couple of one liter kits from PF along with 1 liter kits of fixer, use a a water stop, skip the clearing agent, but get a bottle of photo flow. Ship in your stowed baggage. If you are developing roll film bring a Patterson tank along with a couple of spear reels, for 4X5 a set of 5X7 trays. Don't forget to buy string with small nails that you set up in the bath hang wet film, also need either film clips or clips used to hang wet clothing. A watch or app or your phone to time, and a thermistor. If your room has a interior bath you can work at night, other wise a changing bag will be needed. Dont forget to bring negative sleeves. Once you arrive buy 3 or 4 bottles of deionized water to mix your chemistry and store it until you move on then dump it and mixt up fresh later. If using dry chemistry you need to find a hot plate, or if you room has a microwave to heat water. You may want to check to see if any cities have a photo shop that sells chemistry you can buy locally which cut down on the chemistry you need to stash in your luggage.
 

Sirius Glass

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If it takes more than an afternoon to get what's needed, from stores you're doin it wrong.

You also do no cross Nation lines outside the EU States with any unpackaged materials that look like contraband.

Measuring cups, other I mentioned, and including tank and reel hardware you bring with you won't cause any issues and processed films do no rate a second look and you do no try to import that bag of Sodium bisulfate or other non-mfg packaging anywhere like the U.S. Russia or the Middle East, etc.

The adventure of the travel, together with being able to enjoy your own developing is worth the minor effort of kittin yourself out in situ, IMO.

I will be taking color C41 photographs and I will not take a Jobo processor with me. I will ship the film back.
 

Ian Grant

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Aug 2, 2004
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It's over 40 years since I first processed on the road. I like to see what I'm getting. First was a camping trip, I hung the films to dry in our tent while out shooting the next day.

But I've done the same when I first went to Turkey, taking a 5x4 tank and chemistry, that was 2006. I do recommend processing as you go, but let me be clear I try to process all my films the day shot, then I know what I've captured. That informs what I might then soot.

Ian
 

eli griggs

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Old fashion U.S. rubber/heavy plastic ponchos (pre-1980s type) make for good dark tents/curtains when you're in need of a dark "blacked out" space to work in, or simply need to keep your kit dry while shooting.

They can be hot though.
 
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