You say that you leave the solution to stabilise at room temperature. If your tap water was pretty cold, that might be an overnight job, I guess.
A cooler would do the same if you can get your water to 22º first. Or maybe the light bulb trick, just put it in the cooler in a small fixture or old lamp.Here is something you can do if you have some wiring skills and is not real costly. When my mothers tiny cat food refrigerator failed, the compressor died, she went and bought another one. That was just what I needed a dead refrigerator. I removed the compressor and all the associated items and installed a line thermostat, a bulb holder for a 100 watt bulb and use it as a chemical warmer. I can set it to 38 degrees C and warm up my c-41 or set it for 22 degrees c and warm up my black and white. It takes very little electricity and does not take up much space. I bought the line thermostat on evil bay. I think that was about 40 USD. The wiring was all re used from the unit. With the surge in energy prices world wide we are going to be more adaptive. This is also something you could hook to a solar panel and run at zero cost.
You say that you leave the solution to stabilise at room temperature. If your tap water was pretty cold, that might be an overnight job, I guess. So my question is: Does a 1:50 working solution of Rodinal suffer from standing around for that length of time - for instance, does it oxidise?
Leave the water out for a while. After it comes up/down to temperature, then you mix up your working strength developer.
A plastic or metal container for water will come to room temperature fairly quickly. If you use something like a pail, you will have enough for mixing stop bath and for at least the first part of the wash as well!
If you have two less cups of tea or coffee a day you will have enough hot water to heat your chemicals to a proper temperature
True.
With B&W, 18C is a proper temperature.
If you have two less cups of tea or coffee a day you will have enough hot water to heat your chemicals to a proper temperature, or turn the heating down and wear a fleece and then boil a kettle. But second guessing reliable temperature ranges gets you into the area of saving a bit on the electricity bill and losing the value you've placed in your film. Which is more wasteful, processing a roll of FP4 badly or boiling a kettle? I rest my case.
I'm struggling to find that in the Massive Dev Chart with the OP's Fomapan 200. In fact there are very few film and developer combinations in the 18C range, not that anybody should be a slave to convention.
A good digital thermometer is a god investment, they are very cheap these days
Hi folks... I'm hoping for some advice from more experienced home developers - well, more experienced than me, which probably means most of you good folks!
I started shooting and home-developing black and white negative film late last year, though I haven't done a great deal of it yet (only half a dozen rolls or so). I've been shooting mostly Fomapan 200 at box speed, developing with a spiral tank in Fomadon R09 (~ "Rodinal") 1+50 @ approximately 20 deg C room temperature - using Massive Dev Chart timings (10 mins) and agitation (gentle inversions) - and achieving generally satisfactory - dare I say pleasing - results.
With the alarming increases in energy pricing here in the UK, I'm now maintaining the average temperature in my home closer to 18 deg C rather than 20 (it felt rather cool at first, but my family and I are used to it now). I haven't yet developed any film since making this change, and I'd like to give myself the best chance of success when I do, using solution that's stabilised at room temperature.
For the first time, I've just looked at Massive Dev Chart's "Time/Temp Converter" tool and Ilford's Time/Temp Chart. Apparently, my 10 minutes development time at 20 deg C will increase to a little over 12 minutes at 18 deg C... but I'm drawn to MDC's warning:
"These conversions are approximate and are based on standard black and white film in normal developer. Films and developers vary widely so you should always test any time/temp combination prior to using it on important work"
None of my "work" is especially important - it's all hobby stuff purely for my own enjoyment and learning, and failure isn't a big deal - but obviously I prefer to succeed
So... after that long pre-amble... my questions to you more-experienced film developers are as follows:
1) Should developing at 18 deg C pose any significant problems?
2) How reliable do you find the timings in Massive Dev Chart's Time / Temp Converter tool?
3) Has anyone used the same combination of film stock - Fomapan 200 - and developer - Rodinal - at lower than 20 deg C, and if so, at what dilution / timing / agitation?
Many thanks in advance for any advice, opinions or thoughts on this - and apologies for any newbie errors (choice of forum, terminology etc.) in the above
I repeat - 18C is fine.
You can use the adjustment calculator on the MDC site (or the dial in the Darkroom Dataguide) to convert from the 20C times.
You would need to test if you intend to use something significantly lower - some developers are more temperature sensitive than others.
FWIW, my 1940 Kodak reference handbook uses 65F (18.33C) as the standard.Isn't that because the most commonly used reference temperature is 20C? There aren't many film plus developer combinations for greater than 20C either, but I see a number of folks developing successfully at such temperatures. Do you feel the 20C references in MDC - combined with use of its time / temp converter tool (or Ilford chart on which I believe it's based) - are likely to be unreliable?
This is not an accurate comparison. Reciprocity failure works differently and has a different effect on a typical image than reduced developer activity. Especially with a deviation as small as 2C from the usual 20C it's perfectly feasible and easy to compensate for the lower temperature. There is no influence on tonal relationships as is the case in a reciprocity failure scenario.there is a 'reciprocity' involved for processing at lower temperatures
Yes, this is what I've been doing. I fill several re-purposed 2 litre plastic mineral water bottles with tap water. After a few hours (probably much sooner) it's at room temperature, after which I mix my solutions for immediate use, with plenty left over for Ilford-method washing. More recently, my final wash is with bottled distilled water which is stored at room temperature by default (plus a couple of drops of wetting agent).
Matt King has a recipe for diluting Photoflo with alcohol that makes it easier to measure and handle in small doses.
That's clever, but there is another way. This is what I use, a 1ml plastic disposable syringe attached to a 1ml plastic disposable pipette via surgical tubing. Anyone in the medical/veterinary profession should be able to provide these items. Apologies for the rubbish picture.
That's clever, but there is another way. This is what I use, a 1ml plastic disposable syringe attached to a 1ml plastic disposable pipette via surgical tubing. Anyone in the medical/veterinary profession should be able to provide these items. Apologies for the rubbish picture.
View attachment 317503
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?