If you can find an old copy of The Kodak Master Darkroom Dataguide on line, it has a development wheel, although set up for Kodak films from the 60s I found that by just setting the wheel to match the time for Foma at 68 degrees you can adjust the wheel to find the time for 65 degrees. I use it for Foma and other non kodak films to find temps above 20C or 68f as I live the desert and I have the opposite problem, higher water temps. I generally develop at 72 75 drees to better match the temp of my wash water. I checked on Foma 200, I get 6 minutes at 65 degrees.
Why are you saying "approximately" 20c, don't you own a thermometer? As for lowering the temperature of your space to 18c and still not measuring the actual temperature of your chems you want to know what will happen. My darkroom is a constant 18c, I use a warm water tempering bath to bring my chems up to 21c for use(PMK), it only takes a few minutes to get there. I strongly recommend you buy an accurate thermometer and monitor your chemical temps. Developer is critical while stop, fix, and wash are good to go within a couple of degrees of the developer.
Black and white film has plenty of latitude. Just follow the Massive Development Chart. There can be so many variables in processing film in a home darkroom, temperature is just one. You should have printable negatives.
I always develop at the room's ambient temperature, which can be as low as 18C.
I too use the dial in the Kodak Darkroom Dataguides.
FWIW, that dial indicates 11 3/4 minutes for a 20C to 18C change, while the MDC calculator comes up with 12 1/5 minutes.
My only concern with going down to 18C is that some developers respond poorly to significantly lower development temperatures. I don't have enough Rodinal experience to know whether that is a concern for your choice.
I have worked in tropical conditions, Southeast Asia, Africa, now the American Low Desert, not by any means much experienced in cold temps, if your tap is cold I would extend wash time by 50%. I take it you scan your negatives rather than wet print?
I too adjust the black & white development time for the ambient temperature until it gets to the point around 24°C when development times start to drop below 5 minutes. There should be no problem with 18°C but use a good photographic quality thermometer. Look here ==>
Thanks for that. I'd hoped that adjusting for ambient temperature wasn't out of the realms of sensibility
Thanks also for the link re thermometers. I'm currently using this one:
https://www.etonephoto.com/en-gb/pr...stainless-steel-wall-clip-for-film-processing
I've no reason to believe it's especially inaccurate, but without a calibrated, verified reference to compare it with, I have to make the assumption that the readings are "approximate"...
I can only offer four words of advice to you: Don't worry, be happy
I would argue that that is 5 words
But the sentiment is excellent.
Even the 27 second difference I noted in my earlier post (Darkroom Dataguide vs, MDC) is probably not worth worrying about - as long as you use one or the other consistently.
An ambient temperature workflow means you can just leave everything on the counter for a decent bit and you will have achieved temperature control - and that includes wash water.
Only two words of advice
“Don’t Panic”
(Blame Mr Adam’s for the contraction, not me)
I would not worry about 2 degrees c. Where it gets goofy is when your developer has more that one reducing agent and they have different coefficients of temperature. Then going to 16 c may start becoming a problem. But I would start testing with some unimportant rolls at lower temperatures just to be ahead of the game.
Europe is going on a energy diet this winter and I hope and pray you all don't have a extra cold winter. I have added both kerosene and diesel heaters this summer because this could be a cold winter for all of us.
The Ilford site shows a temperature compensation table for film development: https://www.ilfordphoto.com/wp/wp-content/uploads/2017/03/Temperature-compensation-chart.pdf
I keep a printed copy on my darkroom door.
And when it comes to thermometers: repeatability is more important then accurracy. It doesn't matter much if 20.0 c is actually 19.5 c or 20.5 c, but when it shows 20,0 c it should be the same temperature next week and next month. When you are happy with your negatives using your thermometer when it shows 18 or 20 c, it is good enough.
the temperature indoors has dropped to around 15 deg C
going down to 18C is that some developers respond poorly to significantly lower development temperatures.
One thing that comes to mind is that hydroquinone (which is of course is NOT a part of rodinal) is pretty much inactive below 15C. In other words: developers can, and usually do, exhibit a non-linear temperature/activity relationship.
But...I agree with the sentiment put forth by @pentaxuser - within reasonable temperature limits, don't sweat it (pun intended). 18C will be just fine. Just extend development time a bit. How much? Well, the Ilford chart is a nice starting point; it has always worked for me when I was somehow too lazy to adjust temperature precisely. I'm aware of its shortcomings, but have never been brutally punished by them. Going below 18C is something I would try to prevent. Mind you - you don't really need to keep your room at the temperature you develop your film at! It doesn't cost all that much energy to dump e.g. 250CC of water in the electric water cooker and use that to make up your developer, stop and fix by mixing it with cold tap water. The main advantage of sticking to a standard temperature is that it's just less confusing that way. At least for me. Especially with a developer like Rodinal, it's very easy to mix it up at a standard temperature. Alright, it may drift 0.25C over the development time if your room is cold. Just ignore that effect and live happily ever after...
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