Bromide drag mostly, and other forms of uneven development. Possibly also insufficient development depending on process parameters. There's a good number of threads, also quite recent ones, with people asking how come their negatives are so f*cked up in various ways after doing stand development. There's a few people who have good experiences with this approach, but IMO there's never been any clear justification of the risks. At best, stand development gives results indistinguishable from regular agitation - at worst, negatives are screwed beyond any repair.As I've never done stand developing before, what kind of problems could I expect there?
It isn't apx. I made the same error...Agfapan APX-100 times for all the different developers are here: https://web.archive.org/web/2008122...ltruth.com/chart/search_text.php?Film=APX+100
It isn't apx. I made the same error...
Since the exposure details of this roll are unknown, one could do a stand development and get all possible from it.
Well No. If you want all possible from it, then you’ll have to shake it.
SHAKE THE THING.
What is wrong woth hc110:B for 6 minutes?
Geez, I forgot, hc110 doesn’t exist anymore, now we have FHC110 (where F stands for fake).
Still, any normal developer for 6 minutes with proper agitation will get the most out of any normal speed film.
Cannot agree more with this, but if you know how it has been exposed and how it has aged since then.
Maybe, maybe not - I don't know. I've also only shot apx (the old version). It was quite nice.I was under the impression that the original Agfapan APX-100 and Agfapan 100 were essentially the same film
Stand development isn't going to magically make up for unknowns.Cannot agree more with this, but if you know how it has been exposed and how it has aged since then.
Maybe, maybe not - I don't know. I've also only shot apx (the old version). It was quite nice.
Stand development isn't going to magically make up for unknowns.
Sure, but it is your best option when you know nothing about the state of the film.
Disagree. It's an option with compromises just like any other. Like I said - there's not going to be any magic compensation. In my opinion the "best" option would be to slightly overdevelop in a developer that gives low fog and high emulsion speed. Something like xtol.Sure, but it is your best option when you know nothing about the state of the film.
Maybe, maybe not - I don't know. I've also only shot apx (the old version). It was quite nice.
There is already a flame war brewing again so I'll stay out of it.Stand development isn't going to magically make up for unknowns.
Pay no attention to NB23, he just shows up to rant.
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