Mr Jones. I haven't seen it yet, but it's on my list.
Maybe it was a Bell & Howell 16mm. Newsrooms used those all the time before videotape.I watched the movie pilot for the 'Ironside' TV series the other day. There's a scene with Ironside asking for his job back (in a restaurant with the Chief of Police) surrounded by a press pack. Everything from 4x5 press cameras to 35mm, and I think an 8mm cine camera. Bizarre. Must have cleaned out the props department!
Wim Wenders. He loves photography and one of his heroes was a photographer in a film - can't recall which
Palermo Shooting!
German rock star Campino with a Makina 67.
Also a pano camera at the beginning of the film (Noblex?).
UK TV is forever making the mistake of using safelight( always red) to indicate any and all kinds of film developing work
Recently I watched an episode of a 1950s/early 60s crime series where a film was being developed in a daylight tank under a red light.
Might it have been an ortho film?- possible but unlikely at that time. What made it worse however was they examined the film still under red light
pentaxuser
UK TV is forever making the mistake of using safelight( always red) to indicate any and all kinds of film developing work
Recently I watched an episode of a 1950s/early 60s crime series where a film was being developed in a daylight tank under a red light.
Might it have been an ortho film?- possible but unlikely at that time. What made it worse however was they examined the film still under red light
pentaxuser
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