Decided to take a closer look at Pyrocat-HD, various dilutions & continuous agitation

Rouse st

A
Rouse st

  • 5
  • 3
  • 50
Do-Over Decor

A
Do-Over Decor

  • 1
  • 1
  • 83
Oak

A
Oak

  • 1
  • 0
  • 69
High st

A
High st

  • 11
  • 0
  • 98

Recent Classifieds

Forum statistics

Threads
199,231
Messages
2,788,258
Members
99,837
Latest member
Agelaius
Recent bookmarks
1

koraks

Moderator
Moderator
Joined
Nov 29, 2018
Messages
23,473
Location
Europe
Format
Multi Format
1. My Pyrocatechin - looks like crystals - dark gray in color.

Going by the photo, I'm going to hazard a guess that it wasn't dried entirely during manufacturing and retained some water, or somehow got a little moist over time. But that's a wild guess. I agree it doesn't look the greatest. The sludge in the concentrate is a bit odd; perhaps there are other impurities as well. The greyish color of the flakes is weird; catechol tends to be more brown in my experience.

3. Color of the concentrate - pale reddish. Almost colorless.
4. Color of working solution, ratio 1:1:100. Colorless.

Looks normal to me. I get the same. Concentrate is very pale reddish and if pulled into a very thin syringe like yours in the photo, it's nearly colorless. In a bottle, it's more pale red.

5. I put several pieces of film for about 15 minutes - even after the first one, it turned yellow.

I would suspect the yellow is part of the sensitizing and anti-halation dye package of the film that washed out into the developer. The subsequent color change might be normal oxidation of the developer, which is indeed orange/brown.

your working solution should be a light peach/straw appearance, not clear.

Mine is clear as well.

Here's my concentrate (part A) in glycol to the left, and a freshly mixed working solution 1+1+100 in tap water to the right:
1682404668869.png
 

lamerko

Member
Joined
Oct 27, 2022
Messages
759
Location
Bulgaria
Format
Multi Format
I won't think so for now. I'll scan the first sample tonight, do another one with proper measurement and fresh film. But I'm really surprised by the 30 year old Ilford - there's no hint of fog and the sensitivity hasn't dropped much either. I found it in an old loader, it hasn't been refrigerated...
About the color of the working solution after processing - as far as I can tell, it is not from oxidation - it is caused by dissolving of dyes from the film. In the picture above, I had cut pieces of old technical film - Kodak 2498 RAR. Like most technical films, this one has a "strange" emulsion color - a strange greenish...
 
OP
OP
Andrew O'Neill

Andrew O'Neill

Moderator
Moderator
Joined
Jan 16, 2004
Messages
12,075
Location
Coquitlam,BC Canada
Format
Multi Format
Andy,
That 2-bath video would be great. I'll make a big batch of popcorn and grab a soda, then sit down and enjoy your video. Might even top it off with a donut!

😄
 

Ian Grant

Subscriber
Joined
Aug 2, 2004
Messages
23,273
Location
West Midland
Format
Multi Format
My working solution usually turns very slightly greenish in places when I add Part B then clears to almost colourless when mixed. Post development the colour is very dependent on the film stock processed green, quite dark blue, yellow, orange, quite a range depending on the anti-halation dyes used.

Ian
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom