I'm 61, I get so ticked off using Kodak 120. First to start I can't easily remove the paper band. I sometimes resort to taking a small knife to cut the band, Ilford is pretty much the same, maybe a little better.
Then there's Fujifilm, wonderful. Fuji leaves a small tab on the paper band, you pull on it the band peels off nicely, no little pieces of paper floating around. Next you simply insert the tab of the backing paper into an empty Fujifilm take up spool, the hole in the paper leader engages the little plastic tab in the spool, slick as a whistle.
Now I'm not going to stop using Kodak and Ilford film. But I loaded a roll of Acros tonight into one of my Fuji rangefinders, man that was slick.
I'm not saying Kodak and Ilford need to put bar codes on to set the film speed, just use the spool and backing paper design.
I can't believe that patents would be an issue at this stage of the game.
MHO Mike
Then there's Fujifilm, wonderful. Fuji leaves a small tab on the paper band, you pull on it the band peels off nicely, no little pieces of paper floating around. Next you simply insert the tab of the backing paper into an empty Fujifilm take up spool, the hole in the paper leader engages the little plastic tab in the spool, slick as a whistle.
Now I'm not going to stop using Kodak and Ilford film. But I loaded a roll of Acros tonight into one of my Fuji rangefinders, man that was slick.
I'm not saying Kodak and Ilford need to put bar codes on to set the film speed, just use the spool and backing paper design.
I can't believe that patents would be an issue at this stage of the game.
MHO Mike


.
, it's just seems that Kodak could do better . I had Hasselblad, loved it. Now I have 4 Bronica SQ-AI bodies with motors, prisms, every lens, TTL flash etc. Fuji 690s, 617, 645, I use the GW690III AND GSW690III a lot. The only Zeiss lens I have left is a really nice Cosina made 35mm ZM for my M6ttl 0.85.