"Darkrooms are Irrelevant and The Truth Matters"

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JBrunner

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The whole thing is pointless. Gotta love the indignant posturing but the fact is that news is filler for ads. Journalism is so dead it wreaks. Truth is perception. Facts are now arrived at by consensus. Where have you people been?
 

Allen Friday

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I think reference to allowed manipulations in the darkroom are still relevant to the issue of manipulation of digital images. Visual literacy developed in the context of analogue photography and continues to be influenced by it.
 

henry finley

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So, film photography is irrelevant, is it? Once upon a time a photograph was admissible in court. Today, if I were a judge, I MIGHT allow a photograph in my court, IF they brought the neagative with them. Otherwise, it's just more computer-generated trash. And to bring photojournalism into the discussion only compounds the irrelevance of digital photography. Photojournalism is the supply of photographic evidence or example to support a news story. Knowing that the lamestream media is all about agenda makes any photograph seen in conjunction with these "news" pieces totally laughable. Whether the so called "progressives" in the media acknowledge it or not does not change the fact that no less than 1/2 of the American public discounts everything they see in the media. It's all about agenda. Zero credibility. Film photography is the only hope of relevance today.
 

polyglot

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A 'straight process' such as what? My monitor? Your monitor? The photographer's monitor? A print on color photographic paper? A print on B&W photographic paper? An inkjet print? A CRT television screen? The screen on the back of the dslr that took the picture? A digital picture frame? A histogram of pixel value? High an low voltages converted to "1" and "0" and printed out on a piece of paper? A photogram of the memory stick that contains the information?
You have to CONVERT a digital file into either light values or pigments to see it. The 'original' is an abstract entity, you cannot see it.

An end-to-end calibrated process. Photography as a physical process is very quantifiable so with a imaging chain you can know that your outputs match the inputs within a known error margin. Typical modern systems are good to a delta-E of about 2, which is a not perceptible to humans. Claiming that a RAW file is abstract because you can't see it is silly; it's a collection of numbers that have formal meaning. There doesn't need to be a human present and directly absorbing the information for the information to be real.

Do some research on monitor and printer calibration, it's a very well-understood (though rarely by photographers) domain. Suffice to say, we can make extremely accurate visual recordings of reality, and we can quantify exactly how accurate they are.
 

Toffle

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I think reference to allowed manipulations in the darkroom are still relevant to the issue of manipulation of digital images. Visual literacy developed in the context of analogue photography and continues to be influenced by it.

Yes, (and this is not meant in disagreement with your point) but the long history of darkroom manipulation of analog images is often referenced by apologists for unrestrained digital editorializing. (Yes, I recognize that I have used at least two prejudicial terms there.) Their argument - there is no philosophical difference between the two. My question, is there? My fear, (another weighted word) is that the sheer scale of manipulations possible on millions of computers today is a virtual death-blow to the concept of integrity in news photography.

My point... though it is often very easy to detect the editorial slant of printed or spoken word, the manipulation of images can sometimes be far more subtle and insidious.
 
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marenmcgowan

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The whole thing is pointless. Gotta love the indignant posturing but the fact is that news is filler for ads. Journalism is so dead it wreaks. Truth is perception. Facts are now arrived at by consensus. Where have you people been?

So very true...he even references this very thing at the beginning of the article when talking about the Planned Parenthood quote. The percentages cited by the Senator were wrong, but no one checked the facts, they printed and quoted and gave the guy all kinds of air time. Even better, when confronted with the facts, his office just said they weren't interested in the truth anyway...that's the journalism of today.

I personally don't think there is a comparison between darkroom manipulation and digital manipulation...two different animals. But, in reference to the original post in terms of the darkroom being irrelevant...well, I think the author was only using that point because he's in the digital world where the darkroom is no longer used. I think it slightly amusing that he seems frustrated with the so-called lack of veracity in the images being published (due to their manipulation). However, maybe these images are the perfect match since the facts/news are generally manipulated as well.
 

henry finley

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The media is very hard at work to portray anybody who does not agree with their fringe agenda, to be characters from Deliverance, toothless, uneducated, and living in trailer parks. Everything they do is nothing less than absurd and infuriating. Personally, I avoid it, IF possible. They're so aggressive and blatant about it, Worse than trying to avoid Burma Shave signs on Route 66.
 
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Truth is perception. Facts are now arrived at by consensus.

And has been thus since the dawn of time.

The set of "facts" that determined the state of the world 500 years ago are today considered to be at best only quaintly archaic. Turns out the world really wasn't flat after all. And the immutable laws of nature as we know them today are "facts" only until they suddenly aren't.

Ask if the speed of light in a vacuum is 299,792,458 meters per second as observed from any frame of reference. The answer won't (or shouldn't) be "Yes, that's a fact." It will (or should) be "Yes, that's what the consensus of experimental observations has shown so far..."

Meaning we are treating it as a fact for now, until the time comes that we discover by consensus a better reason to treat it as merely quaintly archaic. Or perhaps as a newly defined subset of some larger truth that we have come to understand. Or think we understand.

Ken
 

henry finley

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I dare not use the "L" word here, lest I be banished to the soap box, and I don't see such a selection on this site. Needless to say, that some serious inbreeding of intellectual thought has that party in a vice-grip. I've been seeing activism since the 1960's. It was ridiculous then and it is now. True intellectualism and liberal education is tempered with the buffer of knowing when to throw out one's own ideas as unworkable.Speaking for myself, I have dumb ideas every day, and I'm not even one of these "progressives". So much the worse if I were.
 

blansky

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Sorry I don't believe that just because the world has always been skewed by powerful people that there shouldn't be an attempt to try to maintain some type of "truth" in news.

Everybody knows that in a country run by dictators, the news is always bullshit. Everyone knows that in a country that was democratic and is turned into a dictatorship the first thing they seize and control is the news media.

We probably agree that in a democracy a well informed electorate is vitally important and the "news" is almost always the way that happens. The media has probably always been controlled to some degree but most people have BS detectors and at least search for "truth" and authenticity in some way.

In the US and most western countries the new media is given great access to power to ferret out the news/truth and it's pretty well agreed that this is important and necessary. And we go after them when they fail us. We even use terms like "who do they think they are? Woodward and Bernstein", when a reporter is like a terrier on a story.

We blame the media for the "yellow cake" story and we blame the media for the "incubators in Kuwait" stories that they foisted upon us which both turned out to be false and partly led the US to two different wars in the middle east.

So to me, "truth" is important, and for that reason I think that control over manipulation of photojournalist submissions is pretty vital due to the impact of what visual images have on us. And how some people here see this as an analog vs digital debate is beyond me.
 

Helinophoto

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I don't think that there is a huge problem with the photo-media, Blansky, but yes, the photo-material should be un-manipulated.
- However, there are people responsible for selecting the "proper" photo to go along with an article, and as you know, two different photos can tell two very different stories.

I think the media, and in later years, especially in democracies in the west, have had a tendency to have a very political angle.
- Now days, most large media organizations are shamelessly full of propaganda, they don't even care.
My BS-detector goes off the chart these days of all the incredible crap the news tend to spew out.
Everyone sees a terrorist on every street-corner and if you see "a brown man who looks like an arab" on the plane......then that's it, call the cops! :smile:

Where are the critical questions to presidents, prime-ministers and other deciding parties?
- 60-minutes isn't it!

I often see in my own country's national media, that the journalists rarely ask the tough questions. If they do, the politician never answers the question and are allowed to ramble on and throw out a lie or three - and the reporters let them get away with it! They don't stop the interview, smack the mike over the politicians head and tell them to answer the friggin question. (they really should start doing that)

The media go along with whatever political climate it is, -and even participate in pure propaganda: Embedded journalists, alert level green - yellow - red - whatever, beforehand cleared questions to presidents, prime-ministers and generals etc and they even give one side of a conflict air-time to show a g*ddamn powerpoint presentation, fresh from the propaganda-still.

So, generally most big news networks participate in shifting the news to whatever political "wind" there is at the moment.
There was no difference watching Fox, CNN, MSNBC, BBC or Euro News when it came to the Iraq war and the all-famous "war on terror". Even smaller countries media participate in the "party-line" reporting and angle. Al-Jazeera is the middle-east equivalent of CNN, how come their reportages and angles are so different than CNN and the others, if they all, Al-jazeera included, seemingly "tell the truth" ?

Smaller news-networks tend to have even stronger ties to what political agenda the owners possess, so they too are skewed and unreliable.

They all tell the story THEY want YOU to believe in, as long as that involve earning money, pleasing the owners and pleasing whatever (democratic or not) hawks ruling the land.
So in-effect the media had been seized and controlled already, in our "free world" as well as in your average dictatorship-nation.
- The difference is more in how they lie to you, I suppose.
 
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JBrunner

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And has been thus since the dawn of time.

The set of "facts" that determined the state of the world 500 years ago are today considered to be at best only quaintly archaic. Turns out the world really wasn't flat after all. And the immutable laws of nature as we know them today are "facts" only until they suddenly aren't.

Ask if the speed of light in a vacuum is 299,792,458 meters per second as observed from any frame of reference. The answer won't (or shouldn't) be "Yes, that's a fact." It will (or should) be "Yes, that's what the consensus of experimental observations has shown so far..."

Meaning we are treating it as a fact for now, until the time comes that we discover by consensus a better reason to treat it as merely quaintly archaic. Or perhaps as a newly defined subset of some larger truth that we have come to understand. Or think we understand.

Ken

There is however quite a lot of difference between scientific consensus (facts as we know them), and the new internet driven social consensus (facts as rabble wish them). I agree that it has always been so, but before the Internet, the idea (to plagiarize a favorite) that democracy means 'my ignorance is just as good as your knowledge never had quite so wide a forum. Now that you essentially have interns and less editing what passes for news one really shouldn't expect much. I'm simply surprised that some people do.
 

blansky

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I often see in my own country's national media, that the journalists rarely ask the tough questions. If they do, the politician never answers the question and are allowed to ramble on and throw out a lie or three - and the reporters let them get away with it! They don't stop the interview, smack the mike over the politicians head and tell them to answer the friggin question. (they really should start doing that)

Those political assholes must all go to worldwide seminars to learn how to do this. I didn't realize it was the same in Norway.
 

frotog

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"But why does it matter? He didn’t move elements around in the photo, nor burn elements out of existence.

It matters because we are essentially saying as a society that reality isn’t real enough to garner our attention. That the photo wasn’t intended as a factual statement."


The quote above shows that the author's argument is skewed from the start. He's happy to confuse the verisimilitude of the photograph with the actuality of the event, a move which leads us quickly to a dead end. Since when is adjusting a curve or applying a mask tantamount to destroying the factual basis of a photograph? What about the inherent shortcomings of the specific camera to adequately represent "reality"? Should we not create custom profiles to get a more accurate and pleasing color rendition to our photographs lest we are criticized for being less real? Stupid article.
 

blansky

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"But why does it matter? He didn’t move elements around in the photo, nor burn elements out of existence.

It matters because we are essentially saying as a society that reality isn’t real enough to garner our attention. That the photo wasn’t intended as a factual statement."


The quote above shows that the author's argument is skewed from the start. He's happy to confuse the verisimilitude of the photograph with the actuality of the event, a move which leads us quickly to a dead end. Since when is adjusting a curve or applying a mask tantamount to destroying the factual basis of a photograph? What about the inherent shortcomings of the specific camera to adequately represent "reality"? Should we not create custom profiles to get a more accurate and pleasing color rendition to our photographs lest we are criticized for being less real? Stupid article.

I agree with his argument but like you I find his example a bit "subtle".

But his point I guess is that it looks so perfect and unreal for it to be perceived as a real tragedy. In fact more like a movie poster which transports us to unreality which numbs us to the emotion of the event.

It's sort of like, most people can tell real violence from Hollywood violence. And as soon as it looks "Hollywood" it loses it's "edge".

But again, I agree his example is pretty subtle.
 
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Wasn't it the New York Times that issued a rule against photos filtered by Instagram and similar? Basically, that's what was done to the first and second place news photos. They were given an HDR-ish look. (And I agree with the article's author, the photo, as originally published, looks better) The photos were modified for the contest, not for publication.

No, that photo, as a contest winner, doesn't bother me. Choosing to run or not to run photographs based on who the photographer is, that bothers me. But of course, if the people wanted top journalism, they could get it. But, as demonstrated in the UK, they'd rather watch Batman reruns than the news. Entertainment is the people's choice, so that's what they get.
 

frotog

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The example is ridiculous because his stance on photography's claim to veracity is ridiculous. And then he has the intellectual audacity to claim a special purchase on truth for photo-journalists vs. everyone else via the absurd example of an A. Adams photograph. Following his line of reasoning one could just as easily fault the photojournalist for rendering the scene in two dimensions when it's plain to everyone that the actual event being recorded was in three.

I can appreciate subtlety and it is definitely not to be found in this article's misguided premise and in the author's ham-fisted understanding of the nature of photography.
 

JBrunner

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No photograph is a representation of reality. They are always edited. The time the shutter is tripped, the focal length, the angle, all of these thing are choices that distort. Just being there is in fact a distortion. These are all questions journalists used to fret about, but now? Not so much. The Internet and other quickie technology have not enlightened the masses as one would hope. No, it seems that a general lowering of the bar in every human endevour is the new order.
 

Dali

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"when the legend becomes fact, print the legend". We can understand it from different angles but being a quote from a famous 1962 movie, it seems that the situation did not improved much half a century later...
 

EASmithV

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someone needs to slip stop bath in his drink
 
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