The whole thing is pointless. Gotta love the indignant posturing but the fact is that news is filler for ads. Journalism is so dead it wreaks. Truth is perception. Facts are now arrived at by consensus. Where have you people been?
A 'straight process' such as what? My monitor? Your monitor? The photographer's monitor? A print on color photographic paper? A print on B&W photographic paper? An inkjet print? A CRT television screen? The screen on the back of the dslr that took the picture? A digital picture frame? A histogram of pixel value? High an low voltages converted to "1" and "0" and printed out on a piece of paper? A photogram of the memory stick that contains the information?
You have to CONVERT a digital file into either light values or pigments to see it. The 'original' is an abstract entity, you cannot see it.
I think reference to allowed manipulations in the darkroom are still relevant to the issue of manipulation of digital images. Visual literacy developed in the context of analogue photography and continues to be influenced by it.
The whole thing is pointless. Gotta love the indignant posturing but the fact is that news is filler for ads. Journalism is so dead it wreaks. Truth is perception. Facts are now arrived at by consensus. Where have you people been?
Truth is perception. Facts are now arrived at by consensus.
And has been thus since the dawn of time.
The set of "facts" that determined the state of the world 500 years ago are today considered to be at best only quaintly archaic. Turns out the world really wasn't flat after all. And the immutable laws of nature as we know them today are "facts" only until they suddenly aren't.
Ask if the speed of light in a vacuum is 299,792,458 meters per second as observed from any frame of reference. The answer won't (or shouldn't) be "Yes, that's a fact." It will (or should) be "Yes, that's what the consensus of experimental observations has shown so far..."
Meaning we are treating it as a fact for now, until the time comes that we discover by consensus a better reason to treat it as merely quaintly archaic. Or perhaps as a newly defined subset of some larger truth that we have come to understand. Or think we understand.
Ken
I often see in my own country's national media, that the journalists rarely ask the tough questions. If they do, the politician never answers the question and are allowed to ramble on and throw out a lie or three - and the reporters let them get away with it! They don't stop the interview, smack the mike over the politicians head and tell them to answer the friggin question. (they really should start doing that)
"But why does it matter? He didnt move elements around in the photo, nor burn elements out of existence.
It matters because we are essentially saying as a society that reality isnt real enough to garner our attention. That the photo wasnt intended as a factual statement."
The quote above shows that the author's argument is skewed from the start. He's happy to confuse the verisimilitude of the photograph with the actuality of the event, a move which leads us quickly to a dead end. Since when is adjusting a curve or applying a mask tantamount to destroying the factual basis of a photograph? What about the inherent shortcomings of the specific camera to adequately represent "reality"? Should we not create custom profiles to get a more accurate and pleasing color rendition to our photographs lest we are criticized for being less real? Stupid article.
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