God, i bet you must be printing some really depressing pictures at the moment.Joe Symchyshyn said:Lately I've had my Radiohead CDs in.
God, i bet you must be printing some really depressing pictures at the moment.
arigram said:Maybe this kind of topic has been discussed before.
It's light, entertaining and easy to contribute to it.
In any case, I'll give it a go, as I have a theory to offer. ;-)
Even though I spend most of my time in silence, when I am involved
in a creative process, it is often that I like to have a soundtrack to go with it.
Everyone knows that a musical device is essential in any serious
darkroom. To my opinion though, the music that is played is not
just a matter of personal taste but also importand to the process.
And also it is different in the two darkroom processes: film developing and
print making.
During film developing I choose songs, not just any music, but songs. That is,
music with lyrics that I can follow during the long and mechanical process. And so, the lyrics have to be known so I can sing along. The music style must have rythm and be somewhat upbeat. I find that greek rebetika, american blues, classic rock and such work well, even though the instrummental solos can harden things a bit.
Now, with print making, the music can be softer, more instrummental and even moody and trippy. Then is when jazz works, argetinian tango, classical musics such as of Europe, India, Japan also fit well, but there has to be a balance in the mood. Opera is too theatrical, that is following a story with mood changes and so can be a bit unpredictable during a session.
The balance has to be between overly loud and dramatic to somber and spacy. So it is not usual to use cretan music (the two extremes), fado, middle eastern and so on.
What do you play?
arigram said:What do you play?
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