Cyan cast. Sign of what?

Rose still life

D
Rose still life

  • 0
  • 0
  • 0
Sombra

A
Sombra

  • 3
  • 0
  • 78
The Gap

H
The Gap

  • 5
  • 2
  • 95

Forum statistics

Threads
199,012
Messages
2,784,590
Members
99,770
Latest member
Stolk
Recent bookmarks
0
OP
OP

Bormental

Member
Joined
Mar 1, 2020
Messages
622
Location
USA
Format
Multi Format
@Rudeofus this make sense. The cyan cast is on the positive, this means that the cyan layer on the film got under-developed, and since it's the one at the bottom, it makes sense for me to accept Adrian's suggestion. This is also compatible with another observation: only my medium format rolls have this problem, and they got developed in a larger tank which I couldn't submerge into the hot batch as fully as the smaller tank I used for 35mm.
 
Joined
Oct 2, 2020
Messages
198
Location
USA
Format
Medium Format
@RoboRepublic It was Portra 160 and 800. This was indeed the case of underdevelopment, as I was using a gigantic Paternson tank (holds 5 reels) with just 2 reels loaded, the temperature dropped way too much, I switched to smaller tanks that I fully fill & pre-soak with 102F water and never saw this again.
 

bernard_L

Member
Joined
Feb 17, 2008
Messages
2,047
Format
Multi Format
Maybe I'm thick, but I don't get the notion of a cast blamed on a color negative. Relative to what? With all the variations between the color of the orange mask seen between different emulsions?
As much as circumstances allow, on each color film, I take one dedicated frame of a neutral gray card, sunny weather, open space, sun incident at approx 45° on the card; ideally a few cumulus hanging around. This can then be used to establish global color balance, whether wet process or the process That Shall Not Be Named.
Disclaimers:
  • Crossover, which may be a problem with non-nominal dev. But you mention cast, not crossover.
  • Blue cast in open shadows, versus sunlit parts of the scene. That is an intrinsic property of the scene.
 

bernard_L

Member
Joined
Feb 17, 2008
Messages
2,047
Format
Multi Format
My bad, I missed "especially in the highlights". Indeed consistent with under-development of the cyan layer.Note however that through the thread, "cast" is mentioned, and never "crossover".
Then for on-film calibration, upgrade from gray card to gray step tablet. And achieve proper neutrality in post for both low and high values.
 

pentaxuser

Member
Joined
May 9, 2005
Messages
19,982
Location
Daventry, No
Format
35mm
@Rudeofus this make sense. The cyan cast is on the positive, this means that the cyan layer on the film got under-developed, and since it's the one at the bottom, it makes sense for me to accept Adrian's suggestion. This is also compatible with another observation: only my medium format rolls have this problem, and they got developed in a larger tank which I couldn't submerge into the hot batch as fully as the smaller tank I used for 35mm.
Any idea of the temperature difference compared to that of the 35mm film? It would be nice to know how much leeway exists in the safe temp range
Thanks

pentaxuser
 

BainDarret

Subscriber
Joined
Dec 31, 2011
Messages
352
Location
Ottawa, On
Format
Multi Format
The cyan cast could be a result of leuco-cyan dye formation that can occur when bleaching is incomplete. Perhaps try re bleaching the film in fresh bleach (or blix) to see if that corrects the problem.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom