Katherine J Gillis
Member
I'm a traditional B&W retoucher & spotter and have worked on landscape photographs for years. Some of the most beautiful shots ever. Never thought of asking this and would love to know.
4. If I working from the car trunk the big 4x5 setup in the foot locker. If I a little farther away, a Speed Graphic. If I'm even farther away, the Blad. If I'm going farther than that, the Rollei. Any farther and I'm not going.
You sir are one hell of a 81 year oldFor many years I carried an 80# pack to high altitudes with large format cameras, but now retired at 81 the body is not up to the task and is limited to short distances from my SUV. The camera for any given venture would be a Sinar Norma monorail, either a 4x5 or 5x7 or 8x10. Distance and load are inversely proportional, of course. The 35mm Leicas and Hasselblads are long gone.
.Aw, gee, thanks. I didn't mean to sound like a he-man. It's just that after four AA workshops from '66-'71 I decided that MY key to improved print quality was large format. I did acquire two original AA prints that are hanging in my living room among my own. They're not for sale, rather as a daily reminder of my target for quality. I've had guests (one a TV repairman) arrive and say "Wow, looks like Ansel Adams!" When I tell them that a couple of them are his, it's not uncommon to hear "Really? Which ones?" That makes my day, and I'm reminded of a climbing quote "Man is at his best when reaching for something just beyond his grasp." However, after looking at them every day I can still see minor improvements needed.
I have to agree with these comments.Every time I have taken out more than one camera, I have come home thinking that I should only have taken one.
Which one though is the question!!
Steve.
I have seen only one AA show and I could not decide if I should throw my cameras in the ocean ..
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