When new the Crown Special with the Xenotar sold for less than the standard Crown with an Optar.
When you get it check that a cam is present in the rangefinder then check the cam number to this list https://graflex.org/speed-graphic/top-rangefinder-cams.html .
If you have a factory matched cam/lens then you're good to go if they agree at infinity.
Download https://drive.google.com/file/d/0B1sPJkp-MdghM0RuVXpkZnRnbVk/view?usp=sharing , http://www.southbristolviews.com/pics/Graphic/manual-pdf/servicemanual.pdf
6 motron later, I likely was.We may be confusing Xenotar with Xenar.
I believe it's a f4.7 so I don't think that's fast. It might be the XenarWait, you bought a Xenotar with plans to shoot it at f/11-f/22? That's an awfully expensive lens is you're not planning on taking advantage of it's speed.
)1. examine the negatives on alight box with a 4x to 8x loupe.developed my first shots from the camera but I don't have a 4x5 scanner so I laid it on the glass with a 120 film holder over it. It focuses fairly easy and I used a flash, but they are not as sharp as I had hoped, but it's a good start.
I developed my first shots from the camera but I don't have a 4x5 scanner so I laid it on the glass with a 120 film holder over it. It focuses fairly easy and I used a flash, but they are not as sharp as I had hoped, but it's a good start.
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If a press photographer couldn’t recognize 10 or 20’ they should not have been a photographer!Years ago when I was taught Speed Graphic by a real old-style press photographer who used the camera in fast moving news situations. I remember him saying that finding focus by searching with the rangefinder was too slow. The best approach was to set in advance the rangefinder on a specific distance, say 10 feet, and then foot-zoom to and from the subject until the rangefinder came in then....shoot (big flashbulb). He also pointed out that the 4x5 negative was very generous with regard to cropping so that exact framing at a close distance wasn't needed; just made things slow and difficult.
Even better was the Speed Graphic with the 127mm lens. With one of these you could take a big step closer to the subject and stand in front of all the other photographers whose Speed Graphics only had the 135mm lens.
Yes, but it's nice to have confirmation. Ever see the Polaroid portrait camera that had a fixed rangefinder to tell you if the fixed lens was in focus on the subject?If a press photographer couldn’t recognize 10 or 20’ they should not have been a photographer!
Years ago when I was taught Speed Graphic by a real old-style press photographer who used the camera in fast moving news situations. I remember him saying that finding focus by searching with the rangefinder was too slow. The best approach was to set in advance the rangefinder on a specific distance, say 10 feet, and then foot-zoom to and from the subject until the rangefinder came in then....shoot (big flashbulb). He also pointed out that the 4x5 negative was very generous with regard to cropping so that exact framing at a close distance wasn't needed; just made things slow and difficult.
Even better was the Speed Graphic with the 127mm lens. With one of these you could take a big step closer to the subject and stand in front of all the other photographers whose Speed Graphics only had the 135mm lens.
yes, the polaroid bigshot. I still have a working one. finding the focus with the fixed rangefinder by walking back and forth was called the bigshot shuffle...... Ever see the Polaroid portrait camera that had a fixed rangefinder to tell you if the fixed lens was in focus on the subject?
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