Gerald Koch
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- Dec 14, 2004
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This developer is intended for use with T-Max and Delta films, although it will produce excellent results with traditional emulsions. FX-37 is designed to produce very sharp, tonally rich negatives with an EFS speed increase. It is not a fine grain developer and is not recommended for fast traditional films.
Increase the EFS by one-half to two-thirds of a stop.
Distilled water (50°C) ................. 750 ml
Sodium sulfite (anhy) .................. 60.0 g
Hydroquinone...
I've used a little of this developer, and it worked fine. I don't buy the speed increase, though. If there is one over comparably dilute D76, it is negligible, as in less than 1/3 stop. At least that was the case in my system with the films I tried, TMX and TMY.
The link above is now dead. I have a pdf download of the article and I'll try to place it in the Articles section here at APUG if I can get permission from the author.
(the article ends with "no distribution without express permission of the author).
I can't find an email address for him.
No he sold the IPR of one and published the formula of the other so buy one or mix other.
But the difference between either and Microphen or ID68 is going to need a step wedge...
Microphen will work in your faucet water and ID-68 is ok in mine, mine is uber hard.
Will it keep like Rodinal? (Not 20 years but maybe 2 once opened?) The FX-39 version?
No, its keeping ability is closer to that of D-76. Rodinal and HC-110 are really the exceptions as far as longevity is concerned.
D-76 is a powder, and I thought it only lasts a week once mixed? The whole bottle of FX-39 can't expire that quick after opening?
D-76 is a powder, and I thought it only lasts a week once mixed? The whole bottle of FX-39 can't expire that quick after opening?
The Kodak powder as stock is good for 6 mouths in one of your glass bottles or longer, Microphen the Ilford PQ ditto, Ive kept mine in plastic concertinas for 3m. The FX might drift more.
Rodinal is good as dregs for 25 years personal experience.
Hello there,
How is this formula supposed to be used? The values given are for a working solution? Or is it supposed be a stock solution which is diluted to 1+3 or 1+5 before processing as a one shot developer?
It also mentions that " The standard dilution is 1:3." This is in line with the times for FX37 in the Massive Dev Chart, which are mostly for 1+3: https://www.digitaltruth.com/devchart.php?Film=&Developer=FX-37&mdc=Search&TempUnits=C&TimeUnits=D
- Sodium sulfite anhydrous 60g
- Hydroquinone 5g
- Sodium Carbonate 5g
- Phenidone 0.5g
- Borax 2.5g
- Potassium bromide 0.5g
- Benzotriazole 1% 5ml
- Water to make 1 liter
The original post is no longer complete, but you can refer to this blog for more info: https://photographicanalysis.wordpress.com/2011/07/27/what-is-fx37/
It lists the following formula:
It also mentions that " The standard dilution is 1:3." This is in line with the times for FX37 in the Massive Dev Chart, which are mostly for 1+3: https://www.digitaltruth.com/devchart.php?Film=&Developer=FX-37&mdc=Search&TempUnits=C&TimeUnits=D
I would consider the 1+3 solution as effectively a one-shot solution, although I suspect it'll keep for up to a few days in an entirely full, glass bottle with absolutely no air on top. If consistency is key, I wouldn't take any bets on it, though.
So the formula given is for a a stock solution that has to be diluted 1+3, in this case?
Yes.
Of course, how you choose to use it, is up to you. I've used it straight (1+0) and currently I even mix it at double strength (multiply all ingredients by 2 except the water) and use it for high contrast with short development times on sheet film intended for contact printing.
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