I have the original CPE2 with the two speed setting. The original instructions were the slower speed for negative developing, where you have quite a lot of fluid in the drums, and the faster speed for print drums where you are running minimal fluid. Worked very well for me.
I developed C41, E6, B&W reversal, Color Print film (C41), Kodak Duratrans display material, and a myriad of B&W films and their respective chemistry over about 30 years before it finally died. Literally thousands of rolls over the decades, not to mention the sheet film that it processed.
With film I used the slower speed for all of the processes, didn't matter what the process was. For prints, always the faster speed and especially so for RA4 which has an extremely short time. And before someone asks, I never once used a pre-wash on any process after having difficulties with Agfa RA4 chemistry and RA4 colour paper. I only used a pre-wash on RA4 process, never on anything else.
The most economical way to process 135 film is to use the 1500 series of tanks, with the 1510 for a single roll, 1520 for 2 rolls or the 1540 for 4 rolls. The 1540 is just the 1510m tank and the 1530 extender, does 4 rolls of 135 or 120 for 500ml of chemistry. It's actually slightly less than 500ml, but I always rounded it up to 500ml. With C41 chemistry and perfect results, 1 litre of chemistry does 8 rolls of film in two batches using 500ml of fresh chemistry and 4 rolls of film for each processing run.
The 1520 and 1530 extender will do 5 rolls of 135, but requires 600ml of chemistry, which is starting to tax the first model motor. I decided very early on that I would only do 4 rolls of 135 or 120 at a time with 500ml of chemistry. You really can hear the motor labouring with 600ml of chemistry.
Clip the corners of the 135 film with a pair of scissors, rounding isn't necessary. As for Paterson reels being easier to load, I never once lost a film loading competition when in a darkroom with others using Paterson compared to my Jobo reels; they are quick as. Just use your fingers and keep them pressed individually on each side as you forward the film.
Mick.