jtk
Member
yup
the problem with photography is that
no one values it, and photographic prints / reproductions
are purchased at such a low cost
that regular people can't compete with corporate printers.
i know a regular person puts time and effort
and makes things look perfect, and if it is their own
photography well its art and worth at least 100x what
a pharmacy would charge for the same large print ..
but many people don't really care LOL they couldn't care less
about how competant the photographer/printer was what fancy
process was used to make the print, what kind of pedigree
photographer/printer has and workshop the photographer's
vision and style was refined through ... they just want
a poster sized print of the frowny cat with some sort of dumb phrase
under it or a generic print cause it's "good enough"
sure the other side of the coin is that people realize other people
( artists? crafts people ? )
spent time and effort to get great at
what they do, and they admire the work
they produce
but at $500/5x7 print
they will just have to look at the jpg on their computer screen
they pirated off the website...
I don't think any of that, even if valid, is a "problem" in the negative sense.
Reality isn't a "problem".
To my knowledge there are only three serious photo labs in my little town. This being 2020 (nearly), "photo lab" has to primarily mean "inkjet."
The best of the lot is busy, has two employees, and keeps the business under control by charging appropriately. http://carrimage.net/pricing-services-and-printing They do incidentally use the term "giclee" (to my distress) for those of their clients who know it and for that purpose do have a small (maybe 600 sq ft) , immaculate, camera studio, with fine lighting.
How good are they? The most prominent regional architectural photographer (cited in the past by jnanian) uses them when he needs ( when his clients need) mural sized prints. I am about to pay Carr $400 for a pair of B&W 30X40 prints, mounted on stretcher bars, gifts for my daughter in law's new home because I can't print over 13X19 and can't mount on stretcher bars (she requested the two images). I am certain there's nobody better in the US and that the price is competitive at that high level. They rely on two giant Canon printers and one giant Epson (for stunning aluminum prints).
Carr probably spent his first decade building his business...just as most of the professional photographers in most cities took to build theirs (just as I did).
Carr's giant Epsons and Canons cost a lot less than the 40-50" Ektacolor and Ciba machines that Colenta and Kreonite sold decades ago. Don't confuse professional printing with with printing by operations that can't afford mural-capable equipment.