Try Kodachrome, I know it's been gone for 10 years but there's billions of old treasures out there.
I went out today with a F5 loaded with Provia F . I don't know anything about Instagram other than how very popular it's become.
I've scanned all my slides and stopped using my projector. Well, it broke anyway. Scans were edited and converted into video slide shows for playback using DVD's. Now with my 4K 75" UHDTV, I create 4K slide shows that I keep on memory cards attached to the TV's USB jack for playback in 4K UHD. I add music and credits and the show is easier to start and the viewers don;t get headaches as often and declare they have to go home early.I wonder what the sales figures for Kodak's re-entry into slide film shows? Has it repaid the investment and if not over what kind of timescale will it repay the investment? On a projector and screen a 35mm slide is great but such projectors that are needed are now quite old and are no longer produced. Can a slide show apart from its novelty value ever really complete with the ability to show pictures on what are now very large TV screens via a digital platform?
Maybe Henning, unless he is prevented by one of his NDAs, can tell us something about Kodak slide film sales and how these are progressing in terms of a return on Kodak's investment.
Alas I strongly suspect that Henning will be prevented from saying anything useful but I live in hope
pentaxuser
I've scanned all my slides and stopped using my projector. Well, it broke anyway. Scans were edited and converted into video slide shows for playback using DVD's. Now with my 4K 75" UHDTV, I create 4K slide shows that I keep on memory cards attached to the TV's USB jack for playback in 4K UHD. I add music and credits and the show is easier to start and the viewers don;t get headaches as often and declare they have to go home early.
Here''s an early conversion scan example of 35 year old Ektachromes but done in 1080HD.
My longer slide shows of up to 30 minutes shown on the TV (mainly digital photos to begin with from vacations) are to bore my family only although I have had friends over who saw them and said they were great. No I didn't pay them off to say that. But then again, they probably were lying.I kinda agree but I guess the USA has a larger population so going by even the same % of interest you guys have more people who are into this niche thing. Over here in NZ, I got my projector for free and yes I think it's the hassle of analogue projectors. To share film images you need to digitise them one way or another and then sharing it at one location with some invitees it would be easier to juts plug a USB stick onto the TV.
OK for short clips etc .. I think like in the older days and also now with modern stuff, long slideshows will bore people even those at my camera club. If we do have them we tend to keep them with invited guest speakers or professional photographers. We don't do much in terms of the club member's own work. if we do it is a 10min session from a couple of different people.
Now tell the truth. How many minutes of the 5 minute video I posted did you actually watch? It's OK. You can tell me. I understand.
Is it really the case that analogue photography is really BW and more affordable. Then perhaps a bit of color neg film.
But used 35mm projectors are ubiquous. At least overhere, where I get one anytime for less than 5€.On a projector and screen a 35mm slide is great but such projectors that are needed are now quite old and are no longer produced.
Maybe Henning, unless he is prevented by one of his NDAs, can tell us something about Kodak slide film sales and how these are progressing in terms of a return on Kodak's investment.
Alas I strongly suspect that Henning will be prevented from saying anything useful but I live in hope
pentaxuser
I don't understand in this day and age why slide film would even be on anyone's radar. Unless you are projecting it, (or using it for some alt-process) slide film is nowhere near as versatile as neg film.
Anyone who has done much scanning will know that neg film is a joy to scan compared to slide film.
I could never understand why the publishing industry used slide film
Price and absence of E6 labs even in major cities. It was OK in fifties, but now it just doesn't fly.
Few pros use Ektachrome these days...
I don;t have PS but use Lightroom. I also have PS Elements. Do you know how these programs handle color negative scans? What's the process with PS that makes it so good?I've been scanning and "film scanning" decades of my slides.
I'd sometimes shoot Kodachrome (rather than digital) if it was available.
The main advantage of Ektachrome was same day processing in excellent E6 labs, but same day Kodachrome processing was possible, with no extra charge, if you lived near a Kodak lab (as in Northern CA).
Kodachrome has wonderful blacks, Ektachrome doesn't come close.
I've never processed C41 but I'm thinking about it. Photoshop reverses color neg beautifully and easily.
It is just the opposite: Reversal film is by far the most versatile film type and much more versatile than negative film.
Because
- reversal film is already finished with perfect results after developing, no further steps needed to enjoy the picture
<<<Well actually there are more steps if you want a print or want it on your monitor>>>
- you can hold it just to the light to enjoy them
<<< Yes you can, if you want to squint and see a colour blob>>>
- you can put them in a slide viewer to enjoy them
<<<Sure, if anyone even remembers slide viewers>>>
- you can put them on a light table using an excellent slide loupe to enjoy them in perfect quality
<<< And art director might enjoy this, but showing a slide to a group is a bit impractical unless you have a huge light table with lots of loupes>>>
- you can project them to enjoy the unsurpassed quality with huge enlargements
<<< Bo argument on this point, as I stated in my post>>>
- you can scan them and viewing the results on a computer monitor
<<< Sure, but you can scan negs too>>>
- you can scan them and making prints on RA-4 silver-halide paper (which often gives even better results compared to CN film because of the better detail rendition of reversal film), or print on inkjet, too
<<< Those of us that cut our teeth printing Cibachromes would beg to differ, contrast reduction masks etc compared to printing negs which was a breeze in comparison>>>
- you can make optical prints via enlarger on BW direct positive paper.
With negative film you only have the optical print or scan, scan-and-print option. Nothing more. So much less options, much less versatility compared to positive film.
<<<See above. With negs you can scan them or print them, with slides you can scan them or print them, no difference>>>
Furthermore reversal film has the following advantages:
- better sharpness
<<< Really? I beg to differ, sure K25 and K64 were amazing films for sharpness but compare a Cibachrome from them to a decent print from any decent neg film >>>
- higher resolution
<<< A lab device might say so, my eyes don't>>>
- finer grain.
<<<See above>>>
I know for sure because I have tested all films on the market in my optical test lab.
And reversal film also often has cost advantages: After developing you already have a finished picture in perfect quality. No further steps needed.
With negative film you always have to make prints and / or scans. And that is expensive if you want to have high quality.
Therefore the costs per picture are often lower with reversal film compared to transparency film. For me e.g. that is the case.
<<< As I said, if you are only going to project, I agree 100%, if you want a print neg film is the go to.
Not in general: Scanning reversal film has two really important advantages:
- you always have the original in true colors as a reference for the scan; that does not work at all with CN film (our brain cannot reverse a colour negative into real colours).
- all scanners with the exception of drumscanners enhance the film grain by scanner noise; this problem is less visible with reversal film because of the finer film grain.
<<<Most pros put a neutral grey card in a shot for the lab person to work with, remove casts by analyzing the grey card and you have as close to perfect colour as you can get, comparing the print to the slide is for amateurs, slides often had casts, do you recall non pro Kodachrome that was very fresh? It had a pretty nasty green cast. I know, I printed tons of Cibachromes with all too fresh Kodachrome, they were a nightmare and you would never reference the original slide as it was way too green>>>
They had and have very good reasons for that:
- the original slide as colour reference for scan before printing
- better detail rendition (finer grain, better sharpness, higher resolution).
<<See above>>>
One of the biggest pro customers were weddings and portrait photography, ever heard of a wedding photographer that shot slide film? I didn't think so.
Refer any further correspondence to Annie Leibovitz.
Best regards,
Henning
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?