IMO $60 is a very good price if the teacher is good. I'd say do it. You can figure out color printing on your own (I've done it), but having someone around with experience will help you get up to speed much-much quicker.
So I finally did it. (there was a url link here which no longer exists) Now things get exciting. I've done B&W enlargements. How different are they from color?
What say you?
Is it something you guys can tell me how here or is it too difficult to learn this way? I went to Rayko here in San Francisco to process the film. I was planning on going tomorrow to make a contact print and one enlargement. They offer a tutorial for $60. If I have to, I'll pay the $60, but if this is something I can figure out on my own, then won't.
What say you?
It's not a class. It's someone showing me the steps. It's one-on-one. I guess that's even better.Take the class.
They don't do tray processing. They use a big machine. Like the ones one used to see in places where they developed film.You should also search the forum using the key words "tray processing RA-4 room temperature".
Maybe you could share the information you put together? I'd love how to do it.I learnt how to do it from reading posts on here, I made a file full of information on colour balance and then I printed it out. I still refer to it now. However, I think I would have taken a lesson if it was convenient - it's more social isn't it?
They provide the chemicals for printing and I don't know what they use. I only had to provide my chemicals for developing because they don't offer that. I don't know what kind of chemicals they use.Basically RA4 processing when you get the hang of it is actually a doddle. It is a balancing act between temperiture - exposure-color-balance-film-printing paper-and chemicals.
Get one set of materials that suits you and stick with them. Get one set of chemicals to process the film and one set to develop the paper and stick with them. Make sure your temperiture is consistent and the remainder will come naturally. You can 'dodge and burn' in the same fashion as B&W but you run the risk of odd areas with different colour balance. It is all a matter of practice. That $60 fee to teach you looks like a good deal. There is nothing like someone to show you the ropes
Color printing is hard and you really need a color analyser to get good results. Then there is the need for a dichroic enlarger head or silters, etc. Color paper is expensive and unlike BW paper it does go bad. I tried it for awhile and decided it was too much hassle and too expensive. One has to be very determined to print color.
Mmm? I'm not sure what search you're referring to? In any case, I don't have a home darkroom and, for the foreseeable future, I won't so I will continue using the facilities at Rayko. I don't have to worry about getting chemicals on me because they don't use the tray system. It's a machine that does the processing.Dear Mario,
Do the search anyway unless you will continue to have access to the processing machines after your tutorial. I assume you will want to print color at home using your new enlarger. Further, as noted above, if you do process at home use gloves. Also find out where your household chemical waste collection site is. In the Chicago area we have several that will collect hobby chemicals for free.
Neal Wydra
Mmm? I'm not sure what search you're referring to? In any case, I don't have a home darkroom and, for the foreseeable future, I won't so I will continue using the facilities at Rayko. I don't have to worry about getting chemicals on me because they don't use the tray system. It's a machine that does the processing.
Thanks.
I can't use trays; they (Rayko) use the drum. As far as room temperature chemicals, in San Francisco, especially at this time of year, room temperature means having chemistry at 50 F, isn't that a bit too cold?The use of trays and room temperature developer makes making small test prints quick and easy. Don't use drums or high temperatures.
...room temperature means having chemistry at 50 F, isn't that a bit too cold?
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