Jorge said:AH, but there is the rub Ole, this thing that you are assuming. The reality of it is very simple, I will send you a blank negative and you will tell me to what CI I developed it, you can send me a negative you have made and I will tell you what CI you developed it. Lets see who gets closer......
I also disagree that the "correct" CI has to be determined by a standard test negative. While I am sure Il douche bag will disagree, we do our "own" CI every time we expose a piece of film to a step wedge with known density gradient.
There comes a time when talking about theoretical ideas has to yield to the reality....Arguing that a piece of blank film has a CI just because it was "assumed" it was developed as the test strip done before IMO is ludicrous.
In the end some might enjoy this kind of pseudo intellectual discussion...I dont, I think I have explained as well as I can what I mean, I leave you all to hash this out.
Here is hoping we get the "Ignore this thread" button soon....
psvensson said:You have all gone absolutely insane.
Stephen Benskin said:So, according to Sandy it would be impossible for me to run a blank sheet of film to test for the amount of chemical fogging that would occur at a given CI...
Kirk Keyes said:Hi Jorge!
I didn't mean to imply that a lot of usefull information could be derived from a blank piece of film developed to a particular CI. And you are right, you cannot determine the CI of a processing run merely from a blank sheet of film. I beleive I said that in my orginal post. I would be a fool to argue otherwise.
Steve did point out that one can determine the base+fog level from that blank sheet of film. That's about all.
But the sheet is still associated to a particular CI.
fschifano said:Yeah, I think that's right. How can you tell with any certainty that there is fog unless you have a baseline measurement with wich to compare it? The only way to do it is to take a piece of film fix it out and measure the density of the support and gelatin. Then take a piece of unexposed film and run it through whatever developer you want and measure that density. What you'll have are TWO points on a chart. You can turn them into a slope if you like, but it makes no sense. What it will tell you is how much base fog you are getting with a particular developer and processing technique and that's all. But what the heck do I know. I'm just an old school, street smart, wise ass New Yorker and you probably don't want to hear what I REALLY think about all this.
Jorge said:Kirk, IMO this is a circular argument, you cannot determine a slope unless you have two points, but then every point along that line will have a "slope" associated with that line. So what comes first, the chicken or the egg?
Jorge said:BTW Stephen, if there are two people on this forum who definitly have absolutely no admiration for each other are King and I.....so you are way off base to think this is a "mutual admiration" ass kissing, we just happened to agree on this one instance on the non sensical nature of your blank film example....
sanking said:Jorge,
Thanks for that comment.
Sure glad that you cut in the bud the suggestion that we are engaged in any kind of "ass kissing" mutual admiration society.
Sandy
Ornello Pederzoli II said:I'm outa here...gotta develop some film..don't know what CI, and don't care...but I do know exactly how long I'm gonna develop it...
Stephen Benskin said:I tried to make nice (notice the apology for calling your statement nonsense?), but you continue to berate people. I am just standing up against your arrogance. You began by blowing me off. I just dug in after that.
Remember, there is someone who always knows more. I happen to know something about exposure theory and tone reproduction theory. Im less knowledgeable in many areas. I might be coming down on you regarding some of your misstatements (and they may be slight) just to prove a point. If you wish to start over and give people the respect they desire, I'm willing to play nice.
If you've noticed the SBR and Luminance thread, I quote Davis' who disputes what you have said, and while your EFS statement isn't exactly gibberish, it is either wrong or the statement was confusing enough to make it appear wrong. I wrote about that.
Stephen Benskin said:Sandy,
You really are a small, petty, bastard. There is no reasoning with someone like you. What an *******.
I thought I was leaving this kind of talk behind when I came to this forum.Stephen Benskin said:Sandy,
You really are a small, petty, bastard. There is no reasoning with someone like you. What an *******.
Claire Senft said:I have digested all the foregoing. Spirited debate. Thank God for the endless supply of electrons.
I am left with but one bit of confusion?
Jorge, who is Il douche bag II? How does he get all that p***sy?
Claire Senft said:Given: A piece of developed film exposed to a single tone has CI.
I have less interest in theory and than I do in practice.
Having this piece of developed film in front of me, how do I determine what the CI actually is?
Claire Senft said:Is this information of any practical use?
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