So I have one of Tim Rudman's printing books (not the toning book), where he mentions chromium intensifier for prints, a recipe using hydrochloric acid. I have the forumlary's chromium intensifier (which uses a powder vs. hydrochloric) and tried it on some test strips.
I'm quite enamored of it for certain uses - warmtone paper go a cold, cold black, with a hint of blue in the highlights. Really useful for things like undercooked lith prints, or for a deep cool tone by printing a bit lighter. More tests to come, multiple passes, different developers, weak devs, etc.
My question, somewhat out of curiosity - how "archival" is chromium for paper? I do sell a few prints, more just curious. Or can it be followed be selenium or gold? Very curious about this stuff, it's really got some powerful potential and its thing is much different than selenium or variable sepia.
I'm quite enamored of it for certain uses - warmtone paper go a cold, cold black, with a hint of blue in the highlights. Really useful for things like undercooked lith prints, or for a deep cool tone by printing a bit lighter. More tests to come, multiple passes, different developers, weak devs, etc.
My question, somewhat out of curiosity - how "archival" is chromium for paper? I do sell a few prints, more just curious. Or can it be followed be selenium or gold? Very curious about this stuff, it's really got some powerful potential and its thing is much different than selenium or variable sepia.
