• Welcome to Photrio!
    Registration is fast and free. Join today to unlock search, see fewer ads, and access all forum features.
    Click here to sign up

Chromium intensifier + fiber prints

Recent Classifieds

Forum statistics

Threads
201,760
Messages
2,829,690
Members
100,929
Latest member
WBM
Recent bookmarks
1

M Carter

Member
Allowing Ads
Joined
Jan 23, 2013
Messages
2,149
Location
Dallas, TX
Format
Medium Format
So I have one of Tim Rudman's printing books (not the toning book), where he mentions chromium intensifier for prints, a recipe using hydrochloric acid. I have the forumlary's chromium intensifier (which uses a powder vs. hydrochloric) and tried it on some test strips.

I'm quite enamored of it for certain uses - warmtone paper go a cold, cold black, with a hint of blue in the highlights. Really useful for things like undercooked lith prints, or for a deep cool tone by printing a bit lighter. More tests to come, multiple passes, different developers, weak devs, etc.

My question, somewhat out of curiosity - how "archival" is chromium for paper? I do sell a few prints, more just curious. Or can it be followed be selenium or gold? Very curious about this stuff, it's really got some powerful potential and its thing is much different than selenium or variable sepia.
 

Gerald C Koch

Member
Allowing Ads
Joined
Jul 12, 2010
Messages
8,131
Location
Southern USA
Format
Multi Format
I would suspect that the intensifier would damage the paper backing.
 
OP
OP
M Carter

M Carter

Member
Allowing Ads
Joined
Jan 23, 2013
Messages
2,149
Location
Dallas, TX
Format
Medium Format
I would suspect that the intensifier would damage the paper backing.

Well, Rudman has a few pages on chromium intensifier for prints, with no warnings - he's usually pretty thorough, and lists it as one of his primary toning techniques. He does state "potassium dichromate can also do wonders for subsequent toning processes and can be worth doing for this reason alone". He also mentions farmer's reducer after dichromate, saying to wash the print for an hour before farmer's or some of the black enrichment will be lost.

Since the process is essentially a bleach and tone process, with the print redeveloped to completion in full-strength paper developer (and thus no mention of fixing afterwards), I'd assume it's stable and perhaps can go on to selenium or gold.

Wondering if anyone has more than a guess about it though?
 

Gerald C Koch

Member
Allowing Ads
Joined
Jul 12, 2010
Messages
8,131
Location
Southern USA
Format
Multi Format
Once again I must point out that Rudman is not a chemist. Did he prove that chromium intensifier is achivally neutral. I doubt it. Potassium dichromate is a powerful oxidant which easily chews up organic materiall. A mixture of potassium dichromate and sulfuric acid is routinely used in labs to remove organic material from glass reaction vessels. It is very effective. A better choice would be potassium permanganate which IS used in intensifier processes especially for old and faded prints. There is a video on the web demonstrating how to do this.

There is an additional problem in that chrmium remains in the intensified image. Kodak warns that In-4 is not archival at least in my Darkroom Data Guide.
 
Last edited:

Ian Grant

Subscriber
Allowing Ads
Joined
Aug 2, 2004
Messages
23,409
Location
West Midland
Format
Multi Format
Ilford IT-8 Toner works perfectly with FB prints. Guess what Part A the bleach is the same as Chromium Intensifier, Part B is a Pyrocatechin re-developer. There were only FB papers when the Toner was first published.

IT8toner.jpg


The first time I used IT-8 was in the mid to late 1970's and the prints are still fine 40 years later. As far as I know the Chromium stain is permanent, I've never seen anything stating it's not.

Ian
 
Last edited:

Arklatexian

Member
Allowing Ads
Joined
Jul 28, 2014
Messages
1,777
Location
Shreveport,
Format
Multi Format
Once again I must point out that Rudman is not a chemist. Did he prove that chromium intensifier is achivally neutral. I doubt it. Potassium dichromate is a powerful oxidant which easily chews up organic materiall. A mixture of potassium dichromate and sulfuric acid is routinely used in labs to remove organic material from glass reaction vessels. It is very effective. A better choice would be potassium permanganate which IS used in intensifier processes especially for old and faded prints. There is a video on the web demonstrating how to do this.

There is an additional problem in that chrmium remains in the intensified image. Kodak warns that In-4 is not archival at least in my Darkroom Data Guide.
This is a question regarding your "QUOTE". Was this glass cleaner used for the same purpose as the one we used in chemistry classes made with nitric acid and. potassium dichromate? As I remember, it was really nasty stuff.. My only experience with chromium intensifier has been with film. Much preferred the old mercury based stuff but know and agree with why it was "outlawed".......Regards!
 

Gerald C Koch

Member
Allowing Ads
Joined
Jul 12, 2010
Messages
8,131
Location
Southern USA
Format
Multi Format
This is a question regarding your "QUOTE". Was this glass cleaner used for the same purpose as the one we used in chemistry classes made with nitric acid and. potassium dichromate? As I remember, it was really nasty stuff.. My only experience with chromium intensifier has been with film. Much preferred the old mercury based stuff but know and agree with why it was "outlawed".......Regards!

Yes, a strong acid releases chromium trioxide from dichromates which is a very poqwerful oxidizing agent.
 

Ian Grant

Subscriber
Allowing Ads
Joined
Aug 2, 2004
Messages
23,409
Location
West Midland
Format
Multi Format
My question, somewhat out of curiosity - how "archival" is chromium for paper? I do sell a few prints, more just curious. Or can it be followed be selenium or gold? Very curious about this stuff, it's really got some powerful potential and its thing is much different than selenium or variable sepia.

I'd happily sell a print that's been toned in Ilford IT-8 Toner. As I pointed out before the bleach is the same as Chromium Intensifier, and non of my many Kodak books/manuals makes any reference to instability in fact just the opposite. It's IN-1 the Mercury/Cyanide Kodak Intensifier that's not stable, Eastman Kodak state IN-4 is more permanent.

Ian
 
OP
OP
M Carter

M Carter

Member
Allowing Ads
Joined
Jan 23, 2013
Messages
2,149
Location
Dallas, TX
Format
Medium Format
I'd happily sell a print that's been toned in Ilford IT-8 Toner. As I pointed out before the bleach is the same as Chromium Intensifier, and non of my many Kodak books/manuals makes any reference to instability in fact just the opposite. It's IN-1 the Mercury/Cyanide Kodak Intensifier that's not stable, Eastman Kodak state IN-4 is more permanent.

Ian
Good to hear - it's really a cool thing to have in your back pocket.
 
OP
OP
M Carter

M Carter

Member
Allowing Ads
Joined
Jan 23, 2013
Messages
2,149
Location
Dallas, TX
Format
Medium Format
This is a question regarding your "QUOTE". Was this glass cleaner used for the same purpose as the one we used in chemistry classes made with nitric acid and. potassium dichromate? As I remember, it was really nasty stuff.. My only experience with chromium intensifier has been with film. Much preferred the old mercury based stuff but know and agree with why it was "outlawed".......Regards!

I've seen examples of what mercury can do for a negative, not just for a rescue mission but as a creative tool. Doubt I'll veer get my hands on some. Kind of like cadmium papers I guess... thing of the past.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom