also I think you have to have the film counter at least at "1".
The third-party hood of choice is the Hoya 48mm black metal. Good shadowing and allows the use of filters. Minimal viewfinder encroachment. An eBay wait may be required to find one. Took me about six months, as I recall.
A close second choice is the inexpensive Kalt 49mm black metal with a step ring adapter down to 48mm. This combination gives a much deeper shade without vignetting, but is only usable without filters. Add a filter and it just begins to cut off the corners. Noticeably greater viewfinder encroachment. Looks really cool when attached.
Rubber hoods work, and are easy to source. Even in 48mm. But as most are designed to severely flare outward to make them usable with a range of focal length lenses, they seriously compromise the viewfinder. Skylight protection of the meter cell is also compromised. Good protection for bumping the lens, though.
If you do choose to use the internal camera meter, it's almost mandatory to also use a good hood, since the meter cell is located directly above the lens for automatic filter compensation. Without a hood the bright sky will seriously skew your readings, possibly by up to multiple stops.
Ken
I have been very pleased with my G-III. and tend to use it mostly with B & W film. I have yet to use it with a flash, although there are three numbers (14, 20, 28) in blue engraved on the aperture dial. I believe they are guide numbers, bit for what flash and what films?. They seem to be progressive, e.g. for ASA 25, 50 and 100 films. Does this make sense?
A quick look at an online user's manual notes they are guide numbers for ASA films of 25, (?), and 800. I may be reading that wrong, but that looks like a misprint.
I believe Canon produced a dedicated Canolite D flash for this series of cameras. Do those guide numbers relate to that flash?
Thanks in advance for any input.
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