Arnold Newman, Jay Maisel, Bert Stern and Minor White used Canon F1's, are they famous enough for you ?
According to the Canon Corporation's advertising in the magazines of the time he used the Canon F1.Sorry benjiboy, on Jay Maisel: Jay used Leicas and Hasselblads early in his career, but subsequently switched to Nikon with the introduction of the F (he owned, by his own estimation, around 14 at one time). He subsequently "upgraded" to the F3s when the camera became available (there is a picture of Jay in "A Day in The Life of Canada," which shows him toting a pair of large camera bags - one over each shoulder - with a pair of F3/MD4s displayed prominently) and later to the F5s (they were so reliable, that he saw the need to only own two). The Nikon F2 was the model Jay never owned; he considered them too electronic (?!?!). Jay's long-term loyalty to the Nikon brand is well known; check out his blog on Dead Link Removed, to read about what he thinks of how a certain rival manufacturer's d*****l offerings stack up against Nikon's (lol).
I stand by my information. I have followed Jay's career since the late 1970s (he's one of my heroes). See for instance: http://bermangraphics.com/press/jaymaisel.htm. Jay may have appeared in an ad for Canon cameras, but he has been a Nikon shooter for something in the order of six decades. Remember, sir, that photographers, like any other profession, will often not hesitate to shill for a few $.According to the Canon Corporation's advertising in the magazines of the time he used the Canon F1.
It makes no sense, the F3 is far more electronic than the f2.
I wonder what is his reference camera then.
I consider the old F-1 to be significantly better built and finished than the Nikon F2. However, i think the operation of the F2 is better to me (i can see the f/stop, aperture and metering in a very easy way with the F2, and I like how you can upgrade the meters. Also the F-1 meter is slow in low light).
As for lenses, 1971-1977 Canon FD lenses are probably superior optically to the Nikon lenses up to 1976 or so. This because at that point in time many Nikkors were using the same optical designs than in the early 60s. In 1977 Nikon updated many lens designs as part of the introduction of the AI line, and in this update they catched up with the (more modern) Canon FD designs.
The dark horse in optics here is Pentax, though.
On the other hand I find the Canon NEW F-1 superior to the F, F2 and F3. It is the best 35mm SLR i've used, although i've not tried a Pentax LX or a Minolta XK. Viewfinder on the New F-1 i consider as good as the acclaimed viewfinder of the Leicaflex SL, and light years beyond the overrated, glorified viewfinder of the Olympus OM-1.
The Canon EF also has a hybrid shutter; electronic from 30sec -> 1sec, mechanical from 1/2 to 1/1000 sec. I bet there are other cameras with hybrid shutters as well. I guess you can consider the Nikon F3 to have a "hybrid shutter"... if you like shooting mechanical only in 1/90 and B
On the other hand a Pentax Spotmatic isn't any special camera on paper, but sometimes I feel it has better ergonomics than any of the Canon and Nikon cameras listed above.
The Pentax LX, a full system contemporary with the Nikon F3, has a hybrid shutter. Titanium curtains, mechanical from 1/70 to 1/2000, electronic below 1/70 to many, many minutes.
I used to know a guy called Peter Parker strangely enough Flavio, he was the chief photographer at a large local eye hospital, but as far as I know he wasn't SpidermanEliott Erwitt had a big case with some F-1 bodies and many many FD lenses. He was endorsed by Canon back in the 70s and used the F-1 for "professional" assignments.
Peter Parker, better known as Spiderman, used a Canon New F-1, as well![]()
I used to know a guy called Peter Parker strangely enough Flavio, he was the chief photographer at a large local eye hospital, but as far as I know he wasn't Spiderman![]()
I like Pentax products and the LX is amazing , it would be a superior camera if it had a perfect reliability record like the Nikon and Canon professional machines. Alas, it seems that for the first production years there were problems.
It would be really aprreciated should you present some hard, that is non-anecdotal evidence when claiming such things.
True my friend, but I just can't imagine him having ginger hair and glasses before the transformation to SpidermanHe would never tell you...
No, there are not hard facts. But so far every discussion i've found regarding the LX mentions reliability issues. Don't get me wrong, i like Pentax cameras and I would love to get a LX!
But for a sample of what i'm referring to, you just go into the pentax fan forum and find the user reviews of the LX and you find things like:
https://www.pentaxforums.com/camerareviews/pentax-lx.html
1."Superb little cameras when they are working well. "
2."Mine has periodic sticky mirror syndrome, (...) managed to get it overhauled with new pads and a new control board because my meter was not automatically turning off."
3."In addition to this, the 3rd body I purchased at low cost (it had been abused) developed erratic manual shutter speeds"
4."but for info, avoid copies with "sticky shutter" problems "
5."There is one blemish on the record of this awesome camera: the sticky mirror. Probably every LX ever made will have (or has had) this problem. "
6."My experience with the LX was mixed. (...) Yet my unit's shutter & electronics didn't perform any better than the [Canon] A-series cameras, needless to mention the "others"."
7."Purchased it in 1982. Yet sadly when the odd critical malfunction of the shutter in (about 1999 or 2000?) led to handing it over to a claimed "Authorized Pentax Repair" shop... found out later, a very dishonest one...and the LX has function oddly ever since, yet the strength of the camera still out stripped the problems (partial sticky mirror). "
7 of 25 user reviews mention or hint at some sort of problem. That's 28% of the reviews. That's pretty high for a pro camera. Mind you, these reviews come from a forum of Pentax fans. They all love the camera.
Moving on to APUG:
(there was a url link here which no longer exists)
APUG user AOCo (which by the way is an abbreviation of Asahi Optical Co, the makers of the LX, so this guy is clearly pro-Pentax):
"I also had an LX, but ended up only keeping the spotmatics...
LX is a very good camera, but mine suffered reliability issues, that a CLA did not solve, hence I did not
want to use it that much. "
Roger Cole (pretty well known user here):
"I am considering sending my LX to Eric though. It seems too many frames have tilted horizontals compared to my other cameras and I'm really beginning to wonder if it's something in the fit of the finder."
My point is, i'm not inventing this out of nowhere, when you read comments about a pro camera like the Nikon F2 they almost never mention any failure (other than the meter resistor ring which wears down on the first versions of the Photomics), but with the LX there is often a mention of problems.
What would constitute "hard" evidence? Sworn oaths signed by the posters above? I mean, Pentax is not going to release an official statement saying "Yeah, you know, perhaps we rushed the design of certain parts within the LX to be able to release a pro camera just after Nikon released the F3".
The experiences of the owners are what count, i think.
Again, i am a Pentax fan myself as well, so no hidden agenda here. Meanwhile i'll keep using the Spotmatics.
Sorry benjiboy, on Jay Maisel: Jay used Leicas and Hasselblads early in his career, but subsequently switched to Nikon with the introduction of the F (he owned, by his own estimation, around 14 at one time). He subsequently "upgraded" to the F3s when the camera became available (there is a picture of Jay in "A Day in The Life of Canada," which shows him toting a pair of large camera bags - one over each shoulder - with a pair of F3/MD4s displayed prominently) and later to the F5s (they were so reliable, that he saw the need to only own two). The Nikon F2 was the model Jay never owned; he considered them too electronic (?!?!). Jay's long-term loyalty to the Nikon brand is well known; check out his blog on Dead Link Removed, to read about what he thinks of how a certain rival manufacturer's d*****l offerings stack up against Nikon's (lol).
Sorry benjiboy, on Jay Maisel: Jay used Leicas and Hasselblads early in his career, but subsequently switched to Nikon with the introduction of the F (he owned, by his own estimation, around 14 at one time). He subsequently "upgraded" to the F3s when the camera became available (there is a picture of Jay in "A Day in The Life of Canada," which shows him toting a pair of large camera bags - one over each shoulder - with a pair of F3/MD4s displayed prominently) and later to the F5s (they were so reliable, that he saw the need to only own two). The Nikon F2 was the model Jay never owned; he considered them too electronic (?!?!). Jay's long-term loyalty to the Nikon brand is well known; check out his blog on Dead Link Removed, to read about what he thinks of how a certain rival manufacturer's d*****l offerings stack up against Nikon's (lol).
Sorry benjiboy, on Jay Maisel: Jay used Leicas and Hasselblads early in his career, but subsequently switched to Nikon with the introduction of the F (he owned, by his own estimation, around 14 at one time). He subsequently "upgraded" to the F3s when the camera became available (there is a picture of Jay in "A Day in The Life of Canada," which shows him toting a pair of large camera bags - one over each shoulder - with a pair of F3/MD4s displayed prominently) and later to the F5s (they were so reliable, that he saw the need to only own two). The Nikon F2 was the model Jay never owned; he considered them too electronic (?!?!). Jay's long-term loyalty to the Nikon brand is well known; check out his blog on Dead Link Removed, to read about what he thinks of how a certain rival manufacturer's d*****l offerings stack up against Nikon's (lol).
Sorry benjiboy, on Jay Maisel: Jay used Leicas and Hasselblads early in his career, but subsequently switched to Nikon with the introduction of the F (he owned, by his own estimation, around 14 at one time). He subsequently "upgraded" to the F3s when the camera became available (there is a picture of Jay in "A Day in The Life of Canada," which shows him toting a pair of large camera bags - one over each shoulder - with a pair of F3/MD4s displayed prominently) and later to the F5s (they were so reliable, that he saw the need to only own two). The Nikon F2 was the model Jay never owned; he considered them too electronic (?!?!). Jay's long-term loyalty to the Nikon brand is well known; check out his blog on Dead Link Removed, to read about what he thinks of how a certain rival manufacturer's d*****l offerings stack up against Nikon's (lol).
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