Cannes: Shot on Kodak Film

markjwyatt

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Movies Shot on Film presented in Cannes 2022

Cannes 2022 Selection Features 25 New Productions Shot on KODAK Film

Cannes 2022 selection features 25 new productions shot on KODAK film
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Cannes 2022 Selection Features 25 New Productions Shot on KODAK Film
  • Corsage - Marie Kreutzer (35mm)
  • Godland - Hlynur Pálmason (35mm)
  • Sick Of Myself - Kristoffer Borgli (35mm)
  • Harka - Lotfy Nathan (35mm) 1st feature
Out of Competition

  • Mascarade - Nicolas Bedos (35mm)
Premieres

  • Don Juan - Serge Bozon (35mm)
  • Le pupille (The Pupils) - Alice Rohrwacher (16mm/35mm)
Cannes Court Métrage

  • Same Old - Lloyd Lee Choi (16mm)
  • Cherries - Vytautas Katkus (16mm Ektachrome)
Directors’ Fortnight - Feature Films

  • L’Envol (Scarlet) - Pietro Marcello (35mm)
  • Les Années Super 8 (The Super 8 Years) - Annie Ernaux & David Ernaux-Briot (S8) 1st feature
  • Les Cinq Diables (The Five Devils) - Léa Mysius (35mm)
  • Enys Men - Mark Jenkin (16mm)
  • Falcon Lake - Charlotte Le Bon (16mm) 1st feature
  • Funny Pages - Owen Kline (16mm) 1st feature
  • God’s Creatures - Anna Rose Holmer & Saela Davis (35mm)
  • Un Beau Matin (One Fine Morning) - Mia Hansen-Løve (35mm)
  • Le Parfum Vert (The Green Perfume) - Nicolas Pariser (35mm)
Directors’ Fortnight - Short Films

  • Maria Schneider, 1983 - Elisabeth Subrin (16mm)
  • Jitterbug - Ayo Akingbade (16mm)
Critics Week - Feature Films

  • Aftersun - Charlotte Wells (35mm)
  • When You Finish Saving the World - Jesse Eisenberg (16mm)
Critics Week – Short Films

  • Hideous - Yann Gonzalez (35mm)
ACID - Feature Films

  • Yamabuki - Juichiro Yamasaki (16mm)
  • Magdala - Damien Manivel (16mm)
 

gone

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Great news, especially since I dislike watching digitally made movies.
 

MattKing

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And the film used by all those productions probably exceeds the film used by all the members of Photrio last year together by a factor of at least 1000.
 

AgX

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What does this listing say about film use in commercial cinematography at all?


And concerning the camera-film use per production one should be critical. One no longer can apply the figures given in old textbooks.

And that the Apug-users are irrelevant to the industry even within still-photography has been shown here in the past.


By the way, Mirko never ever had it about cine films. And one of the two cine-film manufacturers is in insolvency.
 
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