Richards of Hulls, film process sink lines, nitrogen burst systems.. God save the Queen!
http://www.richards.uk.com
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There are many reasons that 120 and 220 were very popular formats for professional photographers but 70mm was not. 70mm was successful for applications that absolutely required a large number of exposures i.e. 70 and had the extensive engineering support necessary to keep it running. Examples are NASA/military/scientific applications and mass portrature.
120/220 is far better suited to satisfy the needs of photographers. Photograpers have an enormous number of variables to deal with when preparing for shoots and making photographs. 70mm adds unneeded complexity. Mechcanically the magazines are not robust. They require a great deal of attention if they are to be reused and daylight loaded. NASA used modified mags that were darkroom loaded by qualified technicians.
120/220 has the advantage of film that is factory spooled in a clean humidity controlled environment that is momentarily exposed to the environment when reaches the exposing film plane. Camera interface and film processing problems are very rare.
70mm has many opportunities for problems unless the equipment and materials are carefully maintained and used.
Bob
I'm confuse this does not look like a round daylight loading tank the size of one 70mm spiral, I thought that's what hulls had?
~Stone
The Noteworthy Ones - Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1 / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic
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I gave you a link to there website, dig around! They sell hundreds of things. I'm thinking their tank is this;
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Though they may have a round one. I'll wait till they all get back to me.
Daniel.
Square wastes too much developer, my "tank" us EXACTLY the right size, the spiral reel fits snugly in the round tank and I can measure exactly 1/2 gallon if developer into it to cover the film. I would expect an official 70mm daylight tank to be the same considering how much developer is used per spool.
~Stone
The Noteworthy Ones - Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1 / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic
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If you find yourself frequently concerned with wasting developer, you should seriously investigate incorporating a replenishment routine into your workflow.
I would if I understood how it worked, I never understood replenishment, isn't it just the same stuff as the regular developer? Or is it different somehow?
~Stone
The Noteworthy Ones - Mamiya: 7 II, RZ67 Pro II / Canon: 1V, AE-1 / Kodak: No 1 Pocket Autographic, No 1A Pocket Autographic
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Replenishment is really only useful if you're developing quite a bit more than that. For Xtol though, one would normally replenish one roll's worth from a 2L working solution after about 1-2 weeks of inactivity. But your process isn't going to be very well controlled with those big gaps being the norm rather than the exception.
If large-volume tanks are causing you wastage (i.e. quantity required for coverage is much greater than quantity required for capacity) then you might want to look at using more-highly-diluted developers. Too bad if you wanted silver-solvent (grain-smoothing) effects though.
Replenishment is really only useful if you're developing quite a bit more than that. ...
Flickr 2405 group created! I have 300' and snaggs has 450' of it; I know there's a bunch of it out there 'cos the canuck on ebay we bought it from has sold 15,000' of it in the last year.
There's already an aerial film group and a double-X (5222) group but it excludes the aero double-X. Plenty of other film-specific groups out there for sharing techniques/results, just not for 2405 yet.
In other news, I now have a 70mm back attached to my RZ and have made a couple of 2405 tests by taping it into 4x5 holders & developing in a 3010. Now I just need one more cartridge to turn up in the post and I'll be able to actually shoot some properly.
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