The first two groups are air-spaced doublets.
This is the front group with the fixture taken apart, elements separated, and spacer shown.
If you look closely at the diagram from Minolta in the link, you see a Black line for the two air-spaced doublets and a white line for the cemented rear doublet. You also will note that I bought one and took it apart.
The rendering of the Minolta lens is much closer to the Summitar than it is the Summicron. The Summicron used high index of refraction/ low dispersion glass. The original version uses Thoriated glass.
Minolta, wide-open. "Swirlies" like the Summitar.
"Lens Groups are defined as being cemented, air-spaced, and oil-spaced. The Minolta Chiyoko 5cm F2 is a 2-2-2-1: 7 element in 4 groups. The 1st and 2nd doublet are air-spaced groups, the doublet behind the aperture is cemented. Air-spaced doublets allow 4 radii to be used for better control of spherical aberration. As this lens was always coated, the designers apparently felt the extra degree of freedom was worth the extra air/glass interfaces. A second reason to use air-spaced (and oil spaced) groups is to accommodate different coefficients of expansion of glass elements used in the group."
As to the brochure you posted- note the heavy black lines for the two front doublets, and the thin line for the rear doublet. Minolta is showing the air-spacing between the elements, but 70 years later- unless you take one apart you will not know why they did this.
Minolta_Chiyoko_Collection by
fiftyonepointsix, on Flickr
The more common 5cm F2 that uses 43mm filters shown in this picture.