There are a TON of options -- and it takes a while to figure out what works best for you.. AND, you might use one method one day and a different one the next.
Ron Galella --the ORIGINAL paparazzo -- carried his camera high on his chest, close to his chin. Why? He said, to be the best paparazzo, you have to have eye contact with your subject -- not having them looking at a camera lens. Then you can get the best picture -- without looking through the viewfinder. Keep in mind, he did NOT use auto-focusing gear.
Ron died a couple of days ago at 91.
The Peak Design Leash works well with smaller cameras. The seatbelt size Slide is designed for big DSLR’s with heavy lenses. I’ve used the Leash with Leica M bodies, as well as Nikon F’s and Nikkormats. As others will correctly point out, there are a whole lot of straps out there and most of them work really well.
I like the wide 70s vintage straps, too bad my more modern cameras like the Minolta 9 will work with one.
I like a strap that is comfortable on the shoulder and long enough to wear diagonally across my body. When I am also carrying a camera bag, I like the strap on it to be similarly long, and I’ll usually wear both at the same time, on opposite shoulders, bandolier style.
I use op/tech pro straps on just about every camera and the super-pro for medium format. It is comfortable and you can quickly remove the thicker foam part and clip the loose ends together for something akin to a wrist strap. Usually remove the foam part when the camera is on a tripod.
Pro Strap
The Pro Strap is the the preferred choice of professional photographers or for those that consistently carry larger cameras and lenses. Designed with our weight reduction system to make loads feel 50% lighter and 100% more comfortable. The ergonomic curve is specifically engineered to evenly...www.optechusa.com
The diagonal carry is what I'm not used to. I can see the positives of that position but it just doesn't seem as handy as a camera in front.
I never found a neck strap that was comfortable, secure and functional, and I've been photographing with SLRs since the 1970s. My ultimate solution has been to use the Think Tank Digital Holster 20
Digital Holster® 20 V2.0
Unique holster developed for standard DSLR, 24-70 f/2.8 with hood in shooting position or 70-200mm f/2.8 with hood reversed KEY FEATURES: “Pop Down” increases bag height for a lens hood or a telephoto lens Shoulder bag attaches to all Think Tank belts and bags with Modular Rails Side...www.thinktankphoto.com
along with the Digital Holster Harness
Digital Holster® Harness V2.0
OVERVIEW: Supportive strap system snugly holds Digital Holster V2.0 against torso KEY FEATURES: Carries a Digital Holster V2.0, hands-free, in front of torso Keeps camera easily accessible and protected inside Digital Holster V2.0 Mesh back panel for ventilation and comfortwww.thinktankphoto.com
and, for drop protection, a wrist strap. The finest wrist strap I ever found was Joby's
DSLR Wrist Strap
Built to hold the heaviest DSLR cameras with zoom lenses, this wrist strap for cameras is ultra strong, lightweight and non-invasive in the use of your camera. Give yourself peace of mind in the most streamlined manner available.joby.com
but it's apparently been discontinued for a while. I bought up the last five I could find anywhere a bit more than one year ago. Look around for whatever wrist strap seems like it'll work for you.
I like a strap that is comfortable on the shoulder and long enough to wear diagonally across my body. When I am also carrying a camera bag, I like the strap on it to be similarly long, and I’ll usually wear both at the same time, on opposite shoulders, bandolier style.
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