Camera Stand.....in 2020, does any company still manufacture?

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harlequin

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Hello Team,

Is there a USA company that still makes camera stands?

My friends studio has one with Calumet label, then there are those monsters from Foba and Broncolor $$$$,
Even arkay used to make a simple portrait one, if anyone knows who makes or sell these items I would appreciate the information.

Thank You
Be Safe

Harlequin
 

Lachlan Young

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Hello Team,

Is there a USA company that still makes camera stands?

My friends studio has one with Calumet label, then there are those monsters from Foba and Broncolor $$$$,
Even arkay used to make a simple portrait one, if anyone knows who makes or sell these items I would appreciate the information.

Thank You
Be Safe

Harlequin

The Calumet one if post-70's was more likely Manfrotto or Cambo, thus made in Europe.

These are some of the ones that seem to be in current production:

Cambo: MBX stands, Monostand, UBS stands, UST stands, Solo stands.

Linhof: 003431

Manfrotto: 800, 806, 809, 816

Foba: ASLAI, AROBI, ASABA, AROBO, AROBE, AROBE M, ASABA T.

How much weight are you trying to fly & at what distance off the floor?
 
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harlequin

harlequin

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Mr. Young,

Basically I do portraits with Hasselblad/p67/rb67 and on occasion a 4x5 monorail,
Maybe 6feet or 2 meters in height?

Really appreciate your help and knowledge on this!

Vincent/Harlequin
 

Pieter12

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Check Craiglist. Stands show up there every once in a while. And you want something you can pick up locally, they are heavy and expensive to ship. I missed out on one for a few hundred earlier this year because I didn't act on it.
 

Deleted member 88956

Solid tripoid on good dolly is a good substitute. Manfrotto 075 + 181 auto dolly, a great camera-mobile.
 

bdial

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A solid, big tripod on a dolly, perhaps with a horizontal arm would come close, and would be more flexible in some respects. I have a Cambo stand i more or less lucked into at a studio liquidation auction. Mine is 7-ish feet tall, and barely fits in my living room, which is my current “studio space”. Fitting it into my car to get it home was interesting.
The main advantage over a tripod is that you can seamlessly go from a foot or so off the floor to 7 feet in the air. A tripod needs a pretty big arm or boom to do that, but you also can’t fold up a stand and stick it in a closet. Wherever it is, it’s part of the space’s furniture.
I’ve also seen them show up on craigslist from time to time, they are pretty pricey new, but are also fairly specialized, so the market for selling a used one is limited, and you may be able to find one for a fraction of a new one.
If you’re impatient and have the money, B&H often has used ones for sale.
 

Deleted member 88956

I'll add to my dolly suggestion that most dollies are only good for light stands. The 181 being solid, has not only easy folding feature, but more importantly one-touch lift to stop its motion.
 

MattKing

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You are in LA. I'm guessing that the motion picture industry might use products that would be appropriate.
 

Nokton48

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Fujicaman1957

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Hello Team,

Is there a USA company that still makes camera stands?

My friends studio has one with Calumet label, then there are those monsters from Foba and Broncolor $$$$,
Even arkay used to make a simple portrait one, if anyone knows who makes or sell these items I would appreciate the information.

Thank You
Be Safe

Harlequin
 

Fujicaman1957

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PM me-I have a scanned copy of the plans from Petersen's Photographic "Photographic Equipment You Can Make", I can email you
 

Deleted member 88956

You probably won't like the prices, but BH Photovideo shows many are available: https://www.bhphotovideo.com/c/buy/Camera-Stands/ci/415/N/4075788761
same as this sold on German ebay just recently for 185 EUR

images


in its expanded version looks like this

linhof-studio-tripod-003431.jpg
 
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Pieter12

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You are in LA. I'm guessing that the motion picture industry might use products that would be appropriate.
I have yet to see anything on a motion picture set or on location that could reasonably be used for what you want. Camera dollies are big, heavy hydraulic monsters and can't come cheap. You might find some sort of TV camera pedestal that could work, but you're better off looking for something that was designed for still camera studio use. There are/were plenty of studio photographers in LA--if they haven't already, they might be ridding themselves of studio gear. There used to be a publication called Photo Trader, but I think Craigslist has done them in. Samy's might have something through their Culver City store--that's where I think all the used stuff goes now, give them a call.
 

Sirius Glass

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I have yet to see anything on a motion picture set or on location that could reasonably be used for what you want. Camera dollies are big, heavy hydraulic monsters and can't come cheap. You might find some sort of TV camera pedestal that could work, but you're better off looking for something that was designed for still camera studio use. There are/were plenty of studio photographers in LA--if they haven't already, they might be ridding themselves of studio gear. There used to be a publication called Photo Trader, but I think Craigslist has done them in. Samy's might have something through their Culver City store--that's where I think all the used stuff goes now, give them a call.

Actually Samy's on Fairfax has most of the used and unusual equipment, but also check out Samys Pasadena and Samys eBay.
 

Sirius Glass

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Yeah. I just checked the website and they don't even list the Culver City store anymore. I think their lease may have run out.

:cry:

They took the best of Bel Air Cameras employees [the two families are closely related] and placed them in Culver City. Then in a short time moved them to Fairfax.
 

btaylor

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I have yet to see anything on a motion picture set or on location that could reasonably be used for what you want.
Agree, motion picture camera supports generally don’t look anything like a pedestal. Except the O’Conner Hydro-Ped. Very cool hydraulic pedestal. You could probably put a Mitchell BNCR on it. I have always wanted one! Maybe I’ll sell some tripods and see if I can find one to buy.
 

eli griggs

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Build a Maple, Ash or White Oak stand of 4" or 5" limbs, three quality 5" locking wheels, and some "T" track, with a simple camera arm leading to a steel plate which supports your camera.

First make the basic support with three horizontal 'legs at 120 degrees to each other, and one long vertical beam, which is your center support.

Use glue and long spiral nails from a good nail gun, or long stainless screws, with a hex or square drive hole,to hold this together.

Your unite must be square and there is plenty of video on Youtube to show you how.

Under the assembled legs, place the locking wheels, at the outside ends of the legs, just in enough that the wheels do no extend beyond the leg, from any of the 360 degree positions it might rotate into.

A 1/2 inch clearance is plenty.

Lay three ( you can use two) "T" tracks vertical to the side you want to mount the camera to, side by side, along the area of the vertical that your arm will be used, using the entire width of the beam to do so.

In Example, the first and third tracks span the width of the beam, with No. 2 postioned in the middle.

In this track system, you'll use a triangle 'plate' of metal, to mount the arm. Space the base plate so you have a good three dimensional irregular triangle layout, for supporting the arm's three tubes, which will become one unit, when the loose ends are joined together to the camera support plate.

Place a "T" block insert on the beam side of the supporting angled plate and secure in place, on the beam.

Use two or three loose T blocks with holes for tightening knobs or levers, one beneath each of the plates running blocks, so you may tighten these to keep the arm in place. (you could instead, drill and tap the supporting blocks for a locking knob feature on each T block.)

Fix the arm tubes (About 1 in. OD, no smaller) to the traveling triangle on the vertical beam, so the come together at a far enough distance from the beam, for easy camera mounting and use, and join them together by welding to the steel camera support plate's bottom.

You will have to decide before hand, where the mounting screws for the camera will be located and go ahead and drill and tap these before joining.

lastly, raise the completed arm, to the top of the beam tracks, lock it in place and run a length of steel cable (Plastic wrapped) from the top of the beam plate, over a set of small wheels, designed to run cable , over the top and to the top of the back side, falling to the bottom of the base of the vertical, where it can be cut and fitted to a weighted pvc wide tube or sacks with quick release carabiners.

the backside cable will swing freely, but with normal raising and lowering, should behave quite well, so do no worry that it is to do so.

If you must have more control, place a "T' track on that side of the beam, with a T block tricked out to hold the end of the cable and weighted sacks or tube, as it moves up and down the backside.

Do no forget, that you'll need a locking T block above the joined cable block, to keep it in place when you find your camera height.

This should be the last thing you need to do and I doubt it will cost much to do, especially if you have some aged hardwood, beams to work with.

It also should move smoothly, as I use the same sized wheels, on concrete, wood and carpeted floors, on a 36 inch wide tri-beam easel that rose to 9.5 feet.with a plastic hard bin with wheels, mounted on the back side for storage.

This uses two locking wheels and two simple swivels up front and the quality wheels will allow the easel to move smoothly and with little force, then solidly lock into place, with the locking wheels, locked.

Ive used at least two or three, all metal types of studio supports, and though this is no as 'sleek' as those, it should be solid and vibration free when positioned and locked up.

PS, you can always cut a plywood board to span between the far side legs and ask your local garage or tire shop, dor their scrap lead bucket contents, which you can use as additional counter/steadying weight, or simply to fill the weight sacks/tube so it has a smaller 'footprint' than weights of sand.

IMO.
 
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